The main difference
between Newhart's
concept and, say, Fawlty Towers (or Lewis Carroll's Alice books) is that Newhart's crazies are more
benign. In the 22 episodes in the Newhart: The Complete First Season box set, Newhart and
Frann mainly deal with passive-aggressive guests, deceptively friendly townsfolk,
a pathological-liar neighbor, and a handyman with the temperament of a pouting
10-year-old. Newhart's pilot is one of the best in TV history, establishing the
characters and the situation while still finding time to tell an actual story,
but after that, the show took some time to find its level. Though the first
season is consistently entertaining, it rarely hits the farcical highs that
came later. (In fact, Newhart's season two was a near-reboot, with two major
characters replaced, and a switch from videotape to film.)
Still, even at the outset, Newhart
was an object lesson in how the traditional three-camera,
filmed-before-a-live-studio-audience sitcom is supposed to work. Each episode
uses the setting of a quaint inn, steeped in American history, to generate
jokes and
plot, and as a veteran comic, Newhart knew how to play to the audience. (Only
Newhart could get a laugh out of a line like, "Give me your John Hancock… Right
there… under… uh… John Hancock.") Newhart helmed a show that felt warm and
homey even at its weirdest. Anyone who's watched even a few episodes of Newhart can probably picture the
Stratford Inn's dining room, its study, and that lobby staircase, leading up to
a second story full of mostly empty rooms.
Key features: Three charming, short featurettes,
covering Newhart's
décor, fashions, and cast.
