Showgirls: V.I.P. Edition
Upon arriving in Hollywood after a run of provocative Dutch thrillers (The 4th Man, Soldier Of Orange), director Paul Verhoeven quickly established himself as a commercial saboteur, known for slipping acrid social commentary into big-budget spectacle. Movies like RoboCop, Basic Instinct, and Starship Troopers can be appreciated for their surface violence and excess, but they all possess fascinating layers of subtext about greed, power, exploitation, and other ignoble human pursuits. Like any good satirist, Verhoeven never betrays his intentions with so much as a wink, which has led some to either question those intentions or simply refuse to give him the benefit of the doubt. Never was this more evident than in the torrent of ridicule that greeted his 1995 magnum opus Showgirls, an infamous bomb that reconfigured the naïve story of A Star Is Born into a cynically perverse assessment of the American Dream. As always, the question remains: Was Verhoeven in on the joke?