The Last Thing He Told Me review: Jennifer Garner salvages an unassuming thriller
Jennifer Garner is the spectacular glue that holds together this unspectacular Apple TV Plus miniseries

Most television shows, especially suspenseful limited dramas, are usually aggressively fine. That is, they’re highly watchable even if there’s nothing particularly remarkable about the writing, and that’s okay. Not everything will be a breakout hit like The White Lotus or Big Little Lies, inevitably finding its way into a second season. For the most part, TV thrillers live up to their genre if they’re engaging enough to keep you going. Enter: The Last Thing He Told Me. The Apple TV+ miniseries, which premieres April 14, isn’t overly memorable but delivers an emotional narrative in seven tightly packaged episodes (some runtimes are graciously less than 40 minutes). And it works as well as it does primarily because of the leading star.
Jennifer Garner returns to her small screen action roots more than 15 years after Alias wrapped. TLTHTM isn’t nearly as kickass, addictive, or entertaining as her five-season ABC sci-fi spy drama. However, it’s still a worthy vehicle for Garner to prove her mettle. She’s the glue that holds the show together, effortlessly navigating her character’s tumultuous journey to find the truth. She gives a commendably restrained performance as Hannah, who finds out her marriage might’ve been a big fat sham. Garner, who also had a terrific comedic turn recently in the Party Down revival, makes TLTHTM worth the investment.
Based on Laura Dave’s book of the same name, TLTHTM doesn’t stray far from its source material. Garner’s Hannah is a gentle woodturning artist whose husband, Owen Michaels (Nikolaj Coster-Waldau), suddenly disappears. He leaves her with only a note that says, “Protect her.” The her he’s referring to is his child, Hannah’s rebellious step-daughter Bailey (Angourie Rice), who isn’t a fan of her father’s new-ish wife. (Owen and Hannah celebrate their 14-month anniversary—please let that not be a real thing—when TLTHTM begins.)
The show never digs into why Bailey disapproves of Hannah, who is genuinely lovely, except for pent-up teenage angst. It leaves Rice with a mostly one-note character that falls into the annoying kid trope made famous by 24 and Homeland, among others. Thankfully, Rice is as dedicated as her co-star to lifting TLTHTM’s middling script. After establishing her skills in HBO’s Mare Of Easttown (another excellent thriller that miraculously wasn’t renewed) and her Black Mirror episode, she finds depth even as the show limits Bailey from being multi-dimensional in the first half.