pm_article_index_cnt: 13883
pm_article_index_cnt: SELECT
ID,
post_title,
post_date,
lead_img_url,
permalink,
co_authors,
rating,
article_category
FROM pm_article_index
WHERE 1=1
AND MATCH(article_category) AGAINST('+|film|' IN BOOLEAN MODE)
AND article_type = '|reviews|'
ORDER BY post_date DESC
LIMIT 108 OFFSET 4104
Though shot in less than 12 years, Girlhood has its own insights about growing up
By Jesse Hassenger January 29, 2015 | 6:00am
Amira & Sam ’s cultural divide doesn’t liven up a clichéd genre piece
By Nick Schager January 29, 2015 | 6:00am
Lucrecia Martel’s budding talent is on display in La Ciénaga
By Mike D'Angelo January 28, 2015 | 6:00am
Those with a tolerance for Johnny Depp goofing around may actually dig Mortdecai
By Jesse Hassenger January 23, 2015 | 4:40pm
Jude Law plunges headlong into the bleak waters of Black Sea
By A.A. Dowd January 22, 2015 | 6:00pm
R100 is a comedy that plays without a safe word
By Katie Rife January 22, 2015 | 4:00pm
Anne Hathaway takes a musical tour of a gentrified Brooklyn in Song One
By Jesse Hassenger January 22, 2015 | 3:00pm
Son Of A Gun starts as a cool prison film, then devolves into generic schlock
By Mike D'Angelo January 22, 2015 | 2:00pm
Cake is Jennifer Aniston’s half-baked attempt to be taken seriously
By Jenni Miller January 22, 2015 | 6:00am
The Boy Next Door offers Jennifer Lopez an unabashedly trashy thriller
By Ignatiy Vishnevetsky January 22, 2015 | 6:00am
The Duke Of Burgundy is a beautiful love story disguised as stylish smut
By Mike D'Angelo January 22, 2015 | 6:00am
Al Pacino is the faded star of a witless Philip Roth adaptation, The Humbling
By A.A. Dowd January 22, 2015 | 6:00am
Lucasfilm’s Strange Magic is the Moulin Rouge of animated features
By Jesse Hassenger January 22, 2015 | 6:00am
The Palm Beach Story is among the most pragmatic of screwball comedies
By Mike D'Angelo January 21, 2015 | 6:00am
Sarah Michelle Gellar vehicle Veronika Decides To Die should have stayed dead
By Keith Uhlich January 20, 2015 | 6:00am
Spare Parts rushes its novel spin on inspirational-teacher conventions
By Jesse Hassenger January 16, 2015 | 6:25pm
The Wedding Ringer is a 100-minute gay joke masquerading as a buddy comedy
By A.A. Dowd January 15, 2015 | 8:09pm
The dark indie drama Medeas twists the Greek myth for which it’s named
By Kiva Reardon January 15, 2015 | 4:00pm
Eddie Marsan is a cardboard saint in the sentimental Still Life
By Benjamin Mercer January 15, 2015 | 3:00pm
Michael Mann returns with the rough-and-tumble Blackhat
By Ignatiy Vishnevetsky January 15, 2015 | 6:00am
Elizabeth Banks broods hard in the tiresome drama Little Accidents
By Keith Uhlich January 15, 2015 | 6:00am
Appropriate Behavior is a flawed but promising debut from a new Girls co-star
By Jesse Hassenger January 15, 2015 | 6:00am
The bargain-bin sci-fi thriller Vice proves bad doesn’t have to be boring
By Ignatiy Vishnevetsky January 15, 2015 | 6:00am
Fassbinder transforms his own stage play, The Bitter Tears Of Petra Von Kant
By Mike D'Angelo January 14, 2015 | 6:00am
With Match , playwright Stephen Belber recycles elements from his earlier Tape
By Mike D'Angelo January 14, 2015 | 6:00am
There’s a little too much Crash in the Italian award-winner Human Capital
By Mike D'Angelo January 14, 2015 | 6:00am
Paddington is a sweet, playful take on a children’s classic
By Ignatiy Vishnevetsky January 13, 2015 | 6:40pm
The trilogy-capping Taken 3 is action-movie slop
By Ignatiy Vishnevetsky January 9, 2015 | 6:15pm
Beloved Sisters is a period romance paced like a procedural
By Ignatiy Vishnevetsky January 8, 2015 | 6:00am
Predestination gives a famous time-travel story the Chris Nolan treatment
By A.A. Dowd January 8, 2015 | 6:00am
When Evening Falls On Bucharest, Or Metabolism is as unusual as its title
By Mike D'Angelo January 8, 2015 | 6:00am
The Sword Of Doom lives up to its pulpy American title
By Mike D'Angelo January 7, 2015 | 6:00am
A zombie franchise returns to form with [REC] 4: Apocalypse
By Katie Rife January 2, 2015 | 6:03pm
Angel Of Death treads the same haunted ground as the first Woman In Black
By Jesse Hassenger January 2, 2015 | 6:00pm
Tsui Hark transforms a Maoist chestnut into The Taking Of Tiger Mountain 3D
By Ignatiy Vishnevetsky January 2, 2015 | 6:00pm
J.C. Chandor takes another left turn with the gritty A Most Violent Year
By Mike D'Angelo December 29, 2014 | 6:00am
The Interview is a triumph of free speech, not of sharp satire
By Ben Kenigsberg December 24, 2014 | 4:45pm
Clint Eastwood’s American Sniper is a war movie that’s tensest on the home front
By Ignatiy Vishnevetsky December 23, 2014 | 6:00am
Fighting city hall has dire consequences in the Russian downer Leviathan
By Mike D'Angelo December 23, 2014 | 6:00am
Into The Woods is a Rob Marshall musical that’s not ashamed to be a musical
By Jesse Hassenger December 23, 2014 | 6:00am
Marion Cotillard is a weekend warrior in the beautiful Two Days, One Night
By A.A. Dowd December 23, 2014 | 6:00am
The biopic Big Eyes adds another misfit to Tim Burton’s gallery
By A.A. Dowd December 23, 2014 | 6:00am
Selma is at once a peek into the past and a snapshot of the present
By A.A. Dowd December 23, 2014 | 6:00am
Angelina Jolie’s Unbroken is an unintentionally campy POW biopic
By Keith Uhlich December 23, 2014 | 6:00am
Love is nice, but money is better in the shiny, hollow Annie
By Katie Rife December 18, 2014 | 6:00am
Timothy Spall grunts his way to greatness as the famous subject of Mr. Turner
By A.A. Dowd December 18, 2014 | 6:00am
Mark Wahlberg’s remake of The Gambler isn’t really about gambling
By A.A. Dowd December 18, 2014 | 6:00am
The creepy Night At The Museum series comes to a close with Secret Of The Tomb
By Ignatiy Vishnevetsky December 18, 2014 | 6:00am
This year’s Palme D’Or winner, Winter Sleep , may be too much of a good thing
By Mike D'Angelo December 18, 2014 | 6:00am
Despite risible subject matter, The Night Porter is more tedious than vile
By Mike D'Angelo December 17, 2014 | 6:00am
Goodbye To All That is a poor showcase of Paul Schneider’s Southern charm
By Jesse Hassenger December 16, 2014 | 6:00am
Two French greats play sparring spouses in the poignant If You Don’t, I Will
By Nick Schager December 16, 2014 | 6:00am
The Battle Of The Five Armies brings the Hobbit trilogy to a plodding finish
By A.A. Dowd December 16, 2014 | 6:00am
Chris Rock’s showbiz rom-com Top Five is disorganized but often charming
By Ignatiy Vishnevetsky December 11, 2014 | 6:00am
The Color Of Time finds James Franco’s ambitions again eclipsing his results
By Jesse Hassenger December 11, 2014 | 6:00am
Tip Top is an odd blend of bedroom brawls, racial tension, and murder mystery
By Mike D'Angelo December 11, 2014 | 6:00am
Christian Bale leads a slog through the Old Testament in Ridley Scott’s Exodus
By Ignatiy Vishnevetsky December 11, 2014 | 6:00am
Xavier Dolan delivers the year’s most hyperactive film, Mommy
By Mike D'Angelo December 11, 2014 | 6:00am
P.T. Anderson goes back to the ’70s—and noir themes—with Inherent Vice
By Ben Kenigsberg December 11, 2014 | 6:00am
Atom Egoyan can’t art up the trashy genre tropes of The Captive
By A.A. Dowd December 11, 2014 | 6:00am
Julianne Moore develops a mysterious malady in Todd Haynes’ masterful Safe
By Mike D'Angelo December 10, 2014 | 6:00am
Magician is basically a fantastic clip-show tribute to Orson Welles
By Keith Uhlich December 9, 2014 | 6:00am
The Pyramid isn’t a found-footage fright flick, but it sometimes acts like one
By Jesse Hassenger December 5, 2014 | 9:00pm
Disowned by its director and stars, Dying Of The Light is a thriller without thrills
By Ignatiy Vishnevetsky December 4, 2014 | 3:45pm
Wild puts Reese Witherspoon on an epic walk, and the audience in her shoes
By Mike D'Angelo December 4, 2014 | 6:00am
Volunteer doctors combat a broken healthcare system in Remote Area Medical
By Nick Schager December 4, 2014 | 6:00am
Gillian Jacobs and Leighton Meester play platonic Life Partners drifting apart
By Jesse Hassenger December 4, 2014 | 6:00am
Julianne Moore faces an Alzheimer’s diagnosis in the nuanced Still Alice
By Ignatiy Vishnevetsky December 4, 2014 | 6:00am
The awful Panic 5 Bravo punctuates its crass action with bullshit moralism
By Mike D'Angelo December 4, 2014 | 6:00am
A Spell To Ward Off The Darkness is black metal for the big screen
By A.A. Dowd December 4, 2014 | 6:00am
Concerning Violence brings a revolutionary’s words to harrowing life
By Keith Uhlich December 4, 2014 | 6:00am
Criterion collects the joyful, humane documentaries of Les Blank
By Mike D'Angelo December 3, 2014 | 6:00am
Friendship wanes in the Israeli military office comedy Zero Motivation
By Vadim Rizov December 2, 2014 | 7:45pm
Eric Rohmer’s late masterpiece A Summer’s Tale makes its way into U.S. homes
By David Ehrlich November 26, 2014 | 6:00am
Benedict Cumberbatch breaks code in the Alan Turing biopic The Imitation Game
By Mike D'Angelo November 25, 2014 | 6:00am
Horrible Bosses 2 is less fun to watch than it probably was to make
By Jesse Hassenger November 25, 2014 | 6:00am
The Kingdom Of Dreams And Madness looks behind the curtain of Studio Ghibli
By David Ehrlich November 25, 2014 | 6:00am
The Babadook is metaphorically rich—and pretty damn scary, too
By A.A. Dowd November 25, 2014 | 6:00am
Penguins Of Madagascar is DreamWorks Animation at its most amusingly energetic
By Ignatiy Vishnevetsky November 25, 2014 | 6:00am
Before I Disappear shows the strain of having been expanded from a short
By Mike D'Angelo November 25, 2014 | 6:00am
The Immortalists makes light of scientists pursuing the “cure” to death
By Keith Uhlich November 25, 2014 | 6:00am
The vampire fantasy A Girl Walks Home Alone At Night is an interesting bore
By Ignatiy Vishnevetsky November 20, 2014 | 6:00am
Reach Me is more L.A. ensemble junk from the maker of 2 Days In The Valley
By Jesse Hassenger November 20, 2014 | 6:00am
The Circle explores gay history through the story of one famous couple
By Vadim Rizov November 20, 2014 | 6:00am
The Homestretch grants a voice to Chicago’s teenage derelicts
By Keith Uhlich November 20, 2014 | 6:00am
Practical effects can’t save the absurd-yet-boring Late Phases
By Katie Rife November 20, 2014 | 6:00am
The V/H/S franchise goes Viral —and down the tubes
By A.A. Dowd November 20, 2014 | 6:00am
As its clunky title suggests, Mockingjay—Part 1 is half a Hunger Games film
By A.A. Dowd November 20, 2014 | 6:00am
From the duo behind Grave Encounters comes the thoroughly generic Extraterrestrial
By Ignatiy Vishnevetsky November 20, 2014 | 6:00am
Every romcom of the last 80 years owes something to It Happened One Night
By Mike D'Angelo November 19, 2014 | 6:00am
Pulp is less a documentary and more a love letter to Sheffield
By Laura M. Browning November 18, 2014 | 6:10pm
Happy Valley looks at the Penn State scandal through the lens of community
By Mike D'Angelo November 18, 2014 | 6:00am
The coming-of-age story Bad Hair is all dispiriting realism, no catharsis
By Mike D'Angelo November 18, 2014 | 6:00am
Hong Kong master Johnnie To missteps with Don’t Go Breaking My Heart 2
By Ignatiy Vishnevetsky November 14, 2014 | 8:03pm
Saving Christmas is the solemn duty of this inept Kirk Cameron vehicle
By Jesse Hassenger November 14, 2014 | 4:35pm
The desperate Dumb And Dumber To recycles the jokes of its predecessor
By A.A. Dowd November 13, 2014 | 7:45pm
Butter On The Latch and Thou Wast Mild And Lovely make an eerie double feature
By Jenni Miller November 13, 2014 | 5:00pm
Kiyoshi Kurosawa’s Penance tells 5 unsettling modern-day fairy tales
By Ignatiy Vishnevetsky November 13, 2014 | 4:05pm
Bad Turn Worse namechecks Jim Thompson, but the comparison does it no favors
By Mike D'Angelo November 13, 2014 | 4:00pm
Katie Holmes embarks on a Death Wish rampage in the vile Miss Meadows
By Mike D'Angelo November 13, 2014 | 3:00pm
Jon Stewart makes a mushy, earnest directing debut with Rosewater
By Ignatiy Vishnevetsky November 13, 2014 | 6:00am
Tommy Lee Jones directs and stars in a deliberately crooked oater, The Homesman
By Ignatiy Vishnevetsky November 13, 2014 | 6:00am
Beyond The Lights is a charming romance from the director of Love & Basketball
By Keith Uhlich November 13, 2014 | 6:00am
Red Army tells the other side of Miracle ’s underdog sports story
By David Ehrlich November 13, 2014 | 6:00am
The speculative Foxcatcher turns true crime into unconvincing Greek tragedy
By A.A. Dowd November 13, 2014 | 6:00am
A Merry Friggin’ Christmas offers only the gift of seeing Robin Williams again
By Jesse Hassenger November 7, 2014 | 6:00pm
Lovely animation and design elevate the derivative Big Hero 6
By Ignatiy Vishnevetsky November 7, 2014 | 4:55pm
The Way He Looks sacrifices the woods for the trees
By Keith Uhlich November 6, 2014 | 5:00pm