Christopher Nolan finally figures out "usable sound" for The Odyssey

Christopher Nolan is making two big promises on his next movie, The Odyssey: Usable sound and unbroken IMAX cameras.

Christopher Nolan finally figures out

In what appears to be a career first for Christopher Nolan, the Oscar-winning filmmaker claims his upcoming adaptation of Homer’s epic, The Odyssey, features “usable sound.” Taking after one of his cinematic heroes, Michael Mann, Nolan has long been a proponent of having his characters mumble through scenes as large bombs and engines muddy up the mix. Since the director prefers shooting on large-format film, which requires a noisy, cumbersome camera, and refuses to re-record audio during post-production, incoherent dialogue has since become a hallmark of Nolan’s auteurism. That was until science finally caught up with the director. IMAX recently developed “the blimp,” a casing for its cameras that reduces camera noise, allowing Nolan to record clean audio, to the delight of his massive viewership, which spends a good portion of his movies wondering what that guy just said. Despite “the blimp” being essentially the same technique filmmakers used in the 1930s as talkies took over, Nolan called the technology “a game-changer.” “You can be shooting a foot from [an actor’s] face while they’re whispering and get usable sound,” Nolan tells Empire. “What that opens up are intimate moments of performance on the world’s most beautiful format.” Nolan did not specify whether “blimp” technology could adequately capture the dulcet tones of Tom Hardy speaking through a mask with the same clarity.

In addition to coherent line readings, Nolan also promises he didn’t break a single IMAX camera on the set of The Odyssey. “I did not destroy an IMAX camera on this film,” Nolan says. “I have destroyed several in my time, but these ones survived The Odyssey.”

Usable sound? Unbroken IMAX cameras? Has Christopher Nolan lost his edge? Odyssey star and certified “that guy” James Remar recently indicated that he has not. Speaking to The Hollywood Reporter, Remar tacitly confirmed that Nolan’s long-running feud with chairs and cellphones on set continues unabated. “No cell phones on set, and the man never sits down,” he said. “He stands next to the camera for every single shot. He did that in Iceland, too. We were on the beach shooting in Iceland; I never saw him sit down once for 12 hours out there. Every single day. It was freezing. Everybody was freezing.”

 
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