A killer box set, useful role-playing app, and Twitter account that makes poetry from data
Little Box Of Horrors
Horror has a surfeit of great scores. Composers have turned in soundtracks to films that non-fans likely never even realize possess them. And for those of us who can hum the themes to various killers and iconic scenes from memory, the chance to treat our ears to these compositions apart from their source material can often be a difficult task to accomplish. Thankfully, Varèse Sarabande records—the most productive producers of film music worldwide—have taken it upon themselves to try and make a dent in the backlog of out-of-print masterworks and previously unreleased CD soundtracks with a great new collection.
Little Box Of Horrors is a 12-album assembly of some of horror’s more underappreciated scores, often to films not properly appreciated for containing the work of such talented composers. Howard Shore’s work on The Fly, Brad Fiedel’s score for The Serpent And The Rainbow, Marco Beltrami’s work on Mimic are all here, reissues saved from out-of-print oblivion. Additionally, there are first-time-on-CD scores like Charles Bernstein’s music for Deadly Friend and multiple never-before-released works, including Richard Stone’s Pumpkinhead score and Bob Cobert’s contribution to The Strange Case Of Dr. Jekyll And Mr. Hyde. It all comes with a 24-page booklet that delves into each composition, everything hidden away inside a retro black carrying case, making the whole thing feel like some long-lost musical samizdat treasure. It’s already lent the soundtrack to my life the kind of wonderfully eerie feel that my daily activities—like scrolling through images of cute baby goats—don’t deserve. [Alex McCown-Levy]
@censusAmericans Twitter account
Nate Silver and FiveThirtyEight have been finding beauty in data for nearly a decade now. Last summer, FiveThirtyEight’s Jia Zhang released a Twitter bot called censusAmericans, which spins strange, small-scale poetry out of census results. Zhang says that “the bot reconstitutes numbers and codes from the data into mini-narratives. Once an hour, it turns a row of data into a real person.” Especially now that the presidential election has cracked us wide open, it’s a reminder that our country—even as we stand together shocked and afraid—is made up of real people with real histories and problems. It’s easy to let your imagination wander based on these little tidbits of humanity underneath the statistics, like with this one:
I got married last year. I was laid off from work. Usually work 70hrs per week. I get to work around 4:50am. I moved last year.