pm_article_index_cnt: 7054
pm_article_index_cnt: SELECT
ID,
post_title,
post_date,
lead_img_url,
permalink,
co_authors,
rating,
article_category
FROM pm_article_index
WHERE 1=1
AND MATCH(article_category) AGAINST('+|music|' IN BOOLEAN MODE)
AND article_type = '|reviews|'
ORDER BY post_date DESC
LIMIT 108 OFFSET 324
The Drums, Portugal. The Man, Ride, and more in this week’s music reviews
By Matt Williams, Sean O'Neal, kenneth-partridge, Ryan Bray, Philip Cosores, Annie Zaleski, Clayton Purdom June 16, 2017 | 5:00am
Chuck Berry’s final album makes a casually profound closing statement
By Noel Murray June 16, 2017 | 5:00am
Katy Perry runs away from her strengths on the pop slog Witness
By Annie Zaleski June 9, 2017 | 5:15pm
Cigarettes After Sex, Alt-J, Big Thief, and more in this week’s music reviews
By Josh Modell, Gwen Ihnat, Alex McLevy, kenneth-partridge, Josh Terry June 9, 2017 | 5:00am
Phoenix at the disco
By Josh Modell June 9, 2017 | 5:00am
Amber Coffman, Gucci Mane, and more in this week’s music reviews
By Clayton Purdom, Gwen Ihnat, Matt Gerardi, Erik Adams, A.A. Dowd, Annie Zaleski June 2, 2017 | 5:00am
It’s okay to not care about Lil Yachty
By Clayton Purdom June 2, 2017 | 5:00am
Wavves, Land Of Talk, (Sandy) Alex G, and more in this week’s music reviews
By Alex McLevy, Sean O'Neal, Kelsey J. Waite, Josh Terry, Danette Chavez, Annie Zaleski May 19, 2017 | 5:00am
The Mountain Goats get a little lost in the darkness of Goths
By Danette Chavez May 19, 2017 | 5:00am
Harry Styles takes a bold step forward by leaning on the past in his solo debut
By Annie Zaleski May 15, 2017 | 3:00pm
Girlpool, PWR BTTM, Todd Rundgren, and more in this week’s music reviews
By Josh Modell, Gwen Ihnat, Katie Rife, Clayton Purdom May 12, 2017 | 5:00am
The new At The Drive-In record is exactly what you don’t want from a reunion
By Clayton Purdom May 5, 2017 | 3:35pm
Mac DeMarco embraces dad-rock on This Old Dog
By Ignatiy Vishnevetsky May 5, 2017 | 3:08pm
Perfume Genius, Forest Swords, Black Lips, and more in this week’s music reviews
By Ignatiy Vishnevetsky, Sean O'Neal, Matt Gerardi, Meagan Fredette, kenneth-partridge, Alex McLevy May 5, 2017 | 5:00am
Thurston Moore, Colin Stetson, Juliana Hatfield, and more in this week’s music reviews
By Clayton Purdom, Alex McLevy, kenneth-partridge, Sean O'Neal April 28, 2017 | 5:00am
Gorillaz turn our national dystopia into more manic cartoon pop on Humanz
By Clayton Purdom April 28, 2017 | 5:00am
Feist’s Pleasure is a demanding record expressing demanding emotions
By Erik Adams April 28, 2017 | 5:00am
Sylvan Esso subverts and embraces the pop world on a brilliant second album
By Josh Modell April 28, 2017 | 5:00am
Charly Bliss, The Black Angels, Incubus, and more in this week’s music reviews
By Clayton Purdom, Gwen Ihnat, Laura M. Browning, Sean O'Neal, A.A. Dowd, Ryan Bray, Alex McLevy April 21, 2017 | 5:00am
Kendrick Lamar takes on all comers with the sharp, streamlined Damn.
By Evan Rytlewski April 17, 2017 | 2:50pm
Actress, Little Dragon, and John Mayer (but not Kendrick) in this week’s music reviews
By Alex McLevy, Kelsey J. Waite, Sean O'Neal April 14, 2017 | 5:00am
The New Pornographers, Arca, Joey Badass, and more in this week’s music reviews
By Nina Corcoran, Clayton Purdom, Sean O'Neal, Katie Rife, Kyle Ryan, Erik Adams, Alex McLevy April 7, 2017 | 5:00am
Father John Misty’s Pure Comedy demands serious attention
By Annie Zaleski April 7, 2017 | 5:00am
On Future Islands’ elegant The Far Field , humanity (and ’80s pop) lives on
By Noel Murray April 7, 2017 | 5:00am
Freddie Gibbs, Mastodon, Pile, and more in this week’s music reviews
By Clayton Purdom, Alex McLevy, Annie Zaleski, Erik Adams, David Anthony March 31, 2017 | 5:00am
Bob Dylan triples down on his late-career reinvention as a crooner
By Noel Murray March 31, 2017 | 5:00am
Craig Finn, Mount Eerie, Pallbearer, and more in this week’s music reviews
By Nina Corcoran, Annie Zaleski, David Anthony March 24, 2017 | 5:00am
Drake’s More Life doesn’t know what the hell it wants to be, which makes it great
By Clayton Purdom March 23, 2017 | 8:30pm
Spoon, Real Estate, and Sorority Noise in this week’s music reviews
By Nina Corcoran, Annie Zaleski, David Anthony March 17, 2017 | 5:00am
The Shins, Laura Marling, Greg Graffin, and more in this week’s music reviews
By Matt Williams, Clayton Purdom, Laura M. Browning, David Anthony, Kelsey J. Waite, Ryan Bray March 10, 2017 | 6:00am
The Magnetic Fields, Grandaddy, Minus The Bear, and more in this week’s music reviews
By Ryan Bray, Sean O'Neal, Randall Colburn, David Anthony March 3, 2017 | 6:00am
On Forget , Xiu Xiu achieves accessibility without much sacrifice
By Chris Mincher February 24, 2017 | 2:00pm
Vagabon’s Infinite Worlds is a flawless, genre-hopping debut
By David Anthony February 24, 2017 | 2:00pm
Maturing rather than mellowing with age suits Los Campesinos!
By Alex McLevy February 24, 2017 | 6:00am
Breakups are exhausting and inspiring on Dirty Projectors
By Philip Cosores February 24, 2017 | 6:00am
The Incessant is like nothing Meat Wave has done beforeBy David Anthony February 17, 2017 | 2:00pm
A brokenhearted Ryan Adams is the best Ryan Adams
By Noel Murray February 17, 2017 | 6:00am
With I’m Only Dreaming , Eisley gets a little too dreamy
By Alex McLevy February 17, 2017 | 6:00am
The Sadies cut a fresh path through familiar territory on Northern Passages
By kenneth-partridge February 10, 2017 | 6:00am
Andrew McMahon In The Wilderness has too much drama by design
By Chris Mincher February 10, 2017 | 6:00am
Communions ditch brooding punk for triumphant power-pop on Blue
By Maria Sherman February 3, 2017 | 2:00pm
The Menzingers have never sounded as weathered as they do on After The Party
By David Anthony February 3, 2017 | 2:00pm
Sampha’s Process is an R&B debut for the ages
By Clayton Purdom February 3, 2017 | 6:00am
Tragedy leads to transformation in Surfer Blood’s Snowdonia
By Chris Mincher February 3, 2017 | 6:00am
Culture is the album Migos has been building toward for yearsBy Clayton Purdom January 27, 2017 | 11:20pm
P.O.S. is reborn and revitalized on Chill, Dummy
By David Anthony January 27, 2017 | 3:00pm
Fred Thomas’ latest is a meta rumination on maturity
By Chris Mincher January 27, 2017 | 2:00pm
On her debut solo album, Allison Crutchfield finds peace in the discord
By David Anthony January 27, 2017 | 6:00am
Cloud Nothings’ Life Without Sound keeps the faith despite personal disorientation
By Annie Zaleski January 27, 2017 | 6:00am
Japandroids stretch but don’t stray on lovesick third album
By Kyle Ryan January 27, 2017 | 6:00am
Austra envisions a better tomorrow through Future Politics
By Kelsey J. Waite January 20, 2017 | 2:00pm
Joan Of Arc’s new album achieves its grand experiment, for better or worse
By David Anthony January 20, 2017 | 2:00pm
William Basinski offers a eulogy for David Bowie (if that’s what you want to believe)
By Sean O'Neal January 20, 2017 | 6:00am
Foxygen wears opulence well on its fourth album
By John Everhart January 20, 2017 | 6:00am
AFI sounds refreshed and rejuvenated on its 10th album, AFI (The Blood Album)
By Annie Zaleski January 20, 2017 | 6:00am
Intensity overshadows corniness on Code Orange’s Forever
By J.J. Anselmi January 13, 2017 | 6:00am
With the expansive I See You , The xx is ready for big stages and radio waves
By Philip Cosores January 13, 2017 | 6:00am
Gone Is Gone starts becoming its own band on Echolocation
By Dan Bogosian January 6, 2017 | 6:00am
On RTJ3 , Run The Jewels is here to rip everyone’s throats out
By Clayton Purdom January 3, 2017 | 8:50pm
Silence speaks volumes on Brian Eno’s innovative, tranquil Reflection
By Annie Zaleski January 3, 2017 | 5:30pm
Nine Inch Nails starts anew on Not The Actual Events
By Dan Bogosian January 2, 2017 | 2:37pm
Hodgy’s journey to adulthood could use a few more specifics
By Dan Caffrey December 14, 2016 | 6:00am
Childish Gambino conjures Parliament and Prince on soulful “Awaken, My Love!”
By Dan Bogosian December 2, 2016 | 7:15pm
Peter Doherty gazes outward on the lush but ramshackle Hamburg Demonstrations
By Randall Colburn December 2, 2016 | 6:00am
Kate Bush recasts her post-’85 catalog for the epic, vivid Before The Dawn
By Kelsey J. Waite December 2, 2016 | 6:00am
A reissue of Telefon Tel Aviv’s landmark debut confirms its greatness
By Alex McLevy December 2, 2016 | 6:00am
The Weeknd’s resonant Starboy embraces the downside of fame
By Annie Zaleski November 28, 2016 | 6:17pm
Bruno Mars takes homage-pop to the next level on the escapist 24K Magic
By Annie Zaleski November 18, 2016 | 4:50pm
Metallica’s latest is quality thrash that gets a little tiring
By David Anthony November 18, 2016 | 6:00am
Life goes on with A Tribe Called Quest
By Clayton Purdom November 15, 2016 | 5:00pm
Sadie Dupuis hits familiar, fresh notes with solo debut Slugger
By David Anthony November 11, 2016 | 6:00am
Martha Wainwright hops genres on the dynamic, dauntless Goodnight City
By Kelsey J. Waite November 11, 2016 | 6:00am
You Blew It! lets itself wander on the experimental Abendrot
By David Anthony November 11, 2016 | 6:00am
The Men return to their noisy roots with the tense Devil Music
By Matt Williams November 11, 2016 | 6:00am
On Jessica Rabbit , Sleigh Bells pushes it to—and then past—the limit
By Kevin Warwick November 11, 2016 | 6:00am
On Lambchop’s latest, there’s no country for old men
By Chris Mincher November 4, 2016 | 5:00am
Honeyblood’s ambitious, unsettled Babes Never Die is a riotous success
By Annie Zaleski November 4, 2016 | 5:00am
Carla Dal Forno enchants and evades on her solo debut
By Kelsey J. Waite October 28, 2016 | 5:00am
Mannequin Pussy loves furiously and fantastically on Romantic
By Zoe Camp October 28, 2016 | 5:00am
The Pop Group’s Honeymoon On Mars lacks danger, menace, and focus
By Annie Zaleski October 28, 2016 | 5:00am
Lady Gaga gets back on the right track with Joanne
By Annie Zaleski October 21, 2016 | 6:50pm
American Football’s second LP in 17 years is mostly worth the wait
By David Brusie October 21, 2016 | 1:00pm
The Weakerthans’ John K. Samson navigates nature and technology on Winter Wheat
By Randall Colburn October 21, 2016 | 1:00pm
Jimmy Eat World doubles down on the familiar with Integrity Blues , and it works
By Zoe Camp October 21, 2016 | 5:00am
Leonard Cohen examines his life and details his laments on You Want It Darker
By Annie Zaleski October 21, 2016 | 5:00am
Jamie Lidell completes his transition to organic soul
By Lily Moayeri October 14, 2016 | 5:00am
Conor Oberst is stuck inside of Omaha with some serious snowbound blues
By kenneth-partridge October 14, 2016 | 5:00am
Green Day are punks afraid of dying on the uncertain Revolution Radio
By Alex McLevy October 7, 2016 | 3:00pm
Springtime Carnivore is angsty and adrift in Midnight Room
By Chris Mincher October 7, 2016 | 2:00pm
The young punks of Joyce Manor’s Cody struggle to grow up
By Brian Shultz October 7, 2016 | 1:00pm
An older, wiser, but no-less biting NOFX emerges on First Ditch Effort
By Ryan Bray October 7, 2016 | 5:00am
Bon Iver processes success with symbolism on 22, A Million
By Steven Arroyo September 30, 2016 | 5:00am
Pixies sound confident on Head Carrier , but the music lacks personality
By Randall Colburn September 30, 2016 | 5:00am
Neurosis extends its legacy with Fires Within Fires
By J.J. Anselmi September 23, 2016 | 2:00pm
The exuberant Return To Love is LVL UP’s most accomplished album yet
By David Anthony September 23, 2016 | 1:00pm
Beach Slang accepts aging but still preaches to the punk kids
By Chris Mincher September 23, 2016 | 5:00am
On Pretty Years , Cymbals Eat Guitars are more energized than ever
By David Anthony September 16, 2016 | 2:00pm
Stage Four is a monumental record of melodic hardcore for Touché AmoréBy Kevin Warwick September 16, 2016 | 1:00pm
Against Me!’s latest is less protest, more romance
By Chris Mincher September 16, 2016 | 5:00am
Jack White haphazardly collects a career’s worth of acoustic recordings
By Noel Murray September 9, 2016 | 5:00am
Wilco goes quiet
By Josh Modell September 9, 2016 | 5:00am
M.I.A. misses the mark on AIM
By Lily Moayeri September 9, 2016 | 5:00am
The Wedding Present goes 3,000 miles, covers familiar ground on new LP
By kenneth-partridge September 2, 2016 | 5:00am
Angel Olsen reinvents herself again with the mesmerizing My Woman
By Matt Williams September 2, 2016 | 5:00am
Eluvium’s stark and evocative False Readings On finds beauty and anxiety in dissonance
By Randall Colburn September 2, 2016 | 5:00am
Butch Walker’s classic-rock-leaning Stay Gold is nostalgic about roads not taken
By Annie Zaleski August 26, 2016 | 2:00pm
And The Anonymous Nobody… is De La Soul’s long-awaited but inspired returnBy Ryan Bray August 26, 2016 | 5:00am
Both of Frank Ocean’s new albums are more singular than you think
By Dan Caffrey August 24, 2016 | 9:00pm
