When Friday Night Lights ended, it did something remarkable. In the make-or-break throw of its version of Nationals,…

To complain about another battle in the endless war between Sue and Will is to make yourself redundant. Your complaint…

“The Rise And Fall Of Sue Sylvester” is an “expect the worst” kind of title, so it’s a pleasant surprise that it flies…

Ironically, what distinguishes “Child Star” is that it’s so forgettable. Even the addition of the two new Directions…

“A Wedding” is Glee season six incarnate. The plot is a bunch of inevitabilities; play along with your checklist until…

“Transitioning” isn’t anywhere near as insulting as I expected, which is almost the same thing as being good. It’s a…

“What The World Needs Now” is a neocon nightmare. It may also be a no-holds-barred gay-pride bacchanalia. All I know…

We pick up in the hangover of “Part One,” as Vocal Adrenaline shuffles offstage and Sue announces new rules for the…

“The Hurt Locker, Part One” features, before even a quarter of the episode has Clockwork Oranged its way deep into your…

It’s not that “Jagged Little Tapestry” is bad. It’s just formless, a bunch of blobs of different shapes and speeds and…

The question going into the final season of Glee, after the main cast graduated and split up, after the new cast came…