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A unique, thought-provoking animated adventure for kids? In Your Dreams

The forgettable, unimaginative Netflix animation bobbles its themes and keeps its aspirations small.

A unique, thought-provoking animated adventure for kids? In Your Dreams

If the most creativity an animated film primarily set in children’s dreams can conjure up is a pizza-themed version of “Don’t Cha” (“Don’t cha wish your pizza was a freak like me?” an animatronic sings), it leaves one thinking of a quote from another dream-based film: “You mustn’t be afraid to dream a little bigger, darling.” But the aspirations of In Your Dreams, the feature debut of longtime Pixar story artist Alex Woo, are as small and uncanny as that wannabe Weird Al parody lyric. Though the Netflix production—co-written by Woo and his Go! Go! Cory Carson head of story Erik Benson—tells a cautionary tale about escapism, In Your Dreams has all the excitement of a low-anxiety, day-in-the-life nightmare stirred up by a case of the Sunday scaries. And, like those mundane nightmares, as soon as the film is over, you’re left momentarily wondering if it actually happened in the first place.

The premise of In Your Dreams is as familiar as the imaginary scenarios its characters traipse through, its plot as common as your teeth falling out while you sleep. Worrywart tween Stevie (Jolie Hoang-Rappaport) and her hyperactive little brother Elliot (Elias Janssen) notice increasing friction between their teacher mom (Cristin Milioti) and struggling musician dad (Simu Liu). They’re not as warm with each other as they once were, they don’t cook breakfast for each other as often, and money is becoming a bigger issue—perhaps unsurprisingly, considering the kind of schmaltzy acoustic junk peddled by their dad. Hoping to restore their household to its formerly harmonious state (and with little else going on in her life), Stevie turns to a magic book Elliot finds in the basement of a thrift store, which promises that The Sandman (Omid Djalili) will make her dreams quite literally come true.

So begins an inoffensive, Inside Out-like adventure (if we’re being generous) through the siblings’ shared subconscious, where low-hanging fart jokes are matched by half-considered insights and stereotypical needledrops of Eurythmics and Metallica. As Stevie and Elliot snooze through a variety of dream scenarios Freud would find tedious, ranging from accidental nakedness to unexpected exams, they’re sometimes accompanied by the ambulatory bed of Little Nemo (which was already disappointingly adapted for Netflix in Slumberland, an even more dead-eyed dream film) and Elliot’s stuffed giraffe, Baloney Tony (Craig Robinson), who fills the imaginary friend role and moves a bit like the cheap felt puppets from Wonder Showzen. Neither have any more personality or energy than the one-note kids they schlep from montage to montage.

Inside these various dreamworlds, the kids encounter a series of goofy blobs, be they sentient breakfast foods or sand-critters living in The Sandman’s Sand Castle, as forgettable as their homes. Considering the limitless directions In Your Dreams could go—not only in terms of story, but in terms of aesthetic (an untapped potential the film briefly hints at when momentarily shifting styles towards an anime pastiche)—the film uses the same kind of flavorlessly smooth CG as some of the other collaborations between Netflix Animation and Sony Pictures Imageworks, like Over The Moon and Vivo. Its mix of high-grade, realistic details, like hair that obviously took plenty of processing power to animate, and dully rounded cartoonishness gives the film an air of disinterested professionalism.

That same hand-waving slickness comes through in the specifics of Stevie’s journey to fulfill her vague desire for a more tranquil family. She’ll learn her lesson, that accomplishing this is far harder than just simply wishing for it, though getting to that point is deeply circuitous. One of its detours comes when Elliot, almost entirely broad comic relief, gets a last-minute side quest when In Your Dreams decides it also wants to tackle Stevie’s ill-defined resentment of her baby brother. The film’s thematic inconsistency and half-baked characters—The Sandman and his pleasant illusions are as hazy as Nightmara (Gia Carides), the specter of bad dreams who shows up for a single scene—recall the slipshod Moana sequel that was Frankensteined together from a scrapped TV series. Logical leaps and distracting story digressions make it seem like character motivations, the magical rules of dreams, and much of the time the family spends in the real world (including a Chuck E. Cheese-like pizza parlor in which that take on “Don’t Cha” is sung) were lost in the edit. But considering that the film opens with the hackneyed freeze-frame, “Yep, that’s me” voiceover pairing, perhaps In Your Dreams was designed to only be half-remembered.

That would also be the only way, aside from running through the same headings in everyone’s dream journal, in which In Your Dreams actually reflects its central topic. But this is not really a film about dreams. It’s a film where kids must accept their imperfect reality rather than chase the anodyne nostalgia that can only be found in fantasies. This is a practical moral, if not an especially heartfelt or entertaining one, blaring like an alarm clock compared to those in Pixar’s adroit tearjerkers. Even granting that the brisk children’s film, less than 80 minutes before credits, doesn’t have the time nor the ambition to explore the loopy possibilities and terrifying fears of dreams—let alone their psychological weight—In Your Dreams is still a surprisingly inelegant and generic fable, a bedtime story rushed through by an overtired parent.

Director: Alex Woo
Writer: Alex Woo, Erik Benson
Starring: Craig Robinson, Simu Liu, Cristin Milioti, Jolie Hoang-Rappaport, Elias Janssen, Gia Carides, Omid Djalili, SungWon Cho, Zachary Noah Piser
Release Date: November 7, 2025; November 14, 2025 (Netflix)

 
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