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Mobs, billionaires, and a bit of repetition infiltrate Only Murders In The Building

Martin Short, Steve Martin, and Selena Gomez continue to charm in the show's fifth season.

Mobs, billionaires, and a bit of repetition infiltrate Only Murders In The Building

Hangout shows usually apply to comedies like Seinfeld, Friends, Happy Endings, and, most recently, Adults. Hulu’s Only Murders In The Building, however, has not-so-sneakily joined this category over the years. The series has become less and less the unique true-crime satire it started out as and more a show that coasts along on vibes and the strong chemistry of its leads. The hook here isn’t the whodunit; it’s spending time with Mabel Mora (Selena Gomez), Oliver Putnam (Martin Short), and Charles Haden Savage (Steve Martin). Any narrative flaws as they go around confronting killers and recording a podcast about it are easy to forgive amidst all of their banter. And the murder mysteries really serve one main purpose: to probe into the protagonists’ deep friendship, individual psyches, and interpersonal relationships. 

After all, Mabel, Oliver, and Charles have gone from neighborly acquaintances battling loneliness to being the subjects of a Hollywood movie in no time, brushing shoulders with fans and celebrities along the way. Now, in a repetitive yet enjoyable fifth season, they come face to face with the mafia, wealthy CEOs, and a robot with potentially nefarious intentions. But it doesn’t matter how many well-known faces join the cast (including Oscar winners Christoph Waltz, Renée Zellweger, and Dianne Wiest this year), how far the show’s scope expands (from Long Island to Los Angeles), or how many bodies drop. OMITB‘s strength lies in the crackling conversations between the trio. And season five is no different, with debates about everything from The Godfather to therapy. In fact, with enough time under their belts in these roles, Gomez, Short, and Martin have never been better together, even if the material itself loses steam.  

The new episodes pick up on the heels of season four’s finale, in which Arconia’s precious doorman was found dead in the courtyard fountain the morning after Oliver and Loretta’s (Meryl Streep) wedding. There’s little time to mourn their fallen pal (the podcast isn’t going to tape itself, alright?), and the list of people who could’ve bludgeoned Lester (Teddy Coluca) quickly becomes robust, especially once the three of them discover that a missing Staten Island gangster (played by Bobby Cannavale) and his wife, Sofia Caccimelio (Téa Leoni), might be involved. But, as Oliver puts it, they’re part of the “old mob.” Different types of goons run New York City now: billionaires. In this case, he means tech whiz Bash Steed (Waltz), cocky pharma dude Jay Phlug (Logan Lerman), and Manhattan real-estate tycoon Camila White (Zellweger), as each of them has sordid ties to the Caccimelios and the Arconia. 

Perhaps the most logic-defying but fun part of OMITB is the apartment complex’s crucial role as a main character. After taking detours to Broadway stages and Hollywood studio lots, the show’s focus returns to the eclectic residents of the Arconia and the building itself, which is a Russian doll of sorts. The series has unveiled secret passageways and elevators, a west tower for renters, and a basement with an incinerator hidden within this complex. Even more historically relevant (and stunningly designed) spots get discovered in season five that, as Brazzos would say, send the investigation in a whole new direction. Unfortunately, that direction is frustratingly circular. 

Compelling aspects of Lester’s murder or Nicky’s vanishing act are marred by the wacky pacing. Major plot twists introduced in the fourth outing annoyingly don’t get picked back up until much later. The new faces this season drop in infrequently, so Sofia, Bash, Camilla, and Jay just feel like half-baked red herrings instead of fully-formed figures. (To be fair, this is pretty much OMITB‘s M.O. at this point.) Then again, who cares about a serviceable whodunit when we get scenes of Martin and Richard Kind making bird noises or Streep (committed to pulling off the funniest accents) and Zellweger sipping drinks in a casino? At least the arrival of Mabel’s old pal (played by Beanie Feldstein), who moves into the penthouse, leads to an identity crisis. OMITB works best when the absurd circumstances around the trio force them to reevaluate their journey so far. Season five achieves this through flashbacks of Oliver’s troubled teen years, Mabel’s history with the Arconia, and a dissection of why Charles is “attracted to psychos.” 

The show’s appeal also stems from its unique lens into NYC’s quirks. That’s why a Lester-focused and -narrated second episode about doormen is OMITB‘s finest since season one’s “The Boy From 6B.” In a lot of ways, season five harkens back to what made the series tick when in the first place. (Think more monologues from Michael Cyril Creighton’s Howard and quips from Jackie Hoffman’s Uma, as well as the return of several former residents.) So even when the mystery sags, Only Murders In The Building reminds us that its purpose has changed from offering takes on the true-crime industrial complex to simply mining comedy from its capable stars. And on that front, it remains delightful as ever.   

Only Murders In The Building season five premieres September 9 on Hulu 

 
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