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The Beast In Me brings out the best in Claire Danes and Matthew Rhys

In Netflix's disturbing thriller, two neighbors engage in a relentless tug-of-war.

The Beast In Me brings out the best in Claire Danes and Matthew Rhys

The Beast In Me keeps Agatha “Aggie” Wiggs (Claire Danes) in consistent crisis mode. Her palpable distress stems from her quiet, lonely life being upended by a new neighbor, who pushes her out of her comfort zone and into deadly chaos. Created by The X-Files‘ Gabe Rotter, this limited series reunites showrunner Howard Gordon with Homeland‘s Danes. The resulting thriller, much like Showtime’s award-winning series, also acts as an intricate character study of its lead duo. Aggie, a once-famous author, resides in the big house she used to share with her ex-wife and their pre-teen son. After his death a few years ago, Aggie’s marriage and desire to write fell apart. Haunted by her past and holding on to her rage closely, she’s susceptible to the charms of smug real-estate mogul Nile Jarvis (Matthew Rhys), who moves in next door with enough baggage to torpedo both of their lives. Through their bewildering cat-and-mouse chase, The Beast In Me delivers an unflinching two-hander.   

Netflix’s drama relies almost entirely on the invigorating tête-à-têtes between these two, who are more similar than they anticipated. She’s shocked to discover some of her most primal urges reflected in a man accused of murdering his missing wife. (“You’ve got bloodlust; I can smell it,” he tells her over a fancy meal.) As for Nile, he’s elated to find a seemingly true friend in Aggie despite their rocky start, after she denied him permission to build a jogging track in the woods behind their gated Oyster Bay homes. So he agrees when she proposes that Nile be the subject of her next book. It’s a win-win: She can get over her writer’s block, and, crucially, he can give his side of the story after negative media coverage. And then all hell breaks loose. The man responsible for the car crash that killed Aggie’s son suddenly disappears. Did Niles do something sinister to get in the good graces of his pal? Or did a frustrated Aggie finally act out? And what really happened to Nile’s wife? 

Commendably, The Beast In Me doesn’t weave a labyrinthine suspense over these questions. The guessing games remain straightforward yet engaging, with answers served on a platter early into its eight-episode run thanks to the involvement of David Lyons’ disgruntled FBI agent. This isn’t a whodunit or even a how-they-did-it. Instead, the show crafts an enticing look into Aggie and Nile and why they’re drawn into this complex web. Perhaps it’s because they can only open up to each other, considering Aggie’s spouse (played by an underused Natalie Morales) left her and Nile doesn’t put his guard down with his new partner, Nina (Brittany Snow, ending 2025 on a high note after The Hunting Wives and The Night Agent). Or maybe it’s because, like Aggie, Nile’s career is in limbo, as his major Manhattan development, Jarvis Yards, faces opposition from a thinly-sketched politician (portrayed by Aleyse Shannon). Or the reason could simply be that the neighbors are skilled at manipulation.  

The show’s edge-of-your-seat thrills emerge through their strange bond, which becomes a driving force in making them confront harsh truths about themselves. Feelings and secrets they’ve kept buried come pouring out on a drunken night at her home, over interviews in his office, and during a party thrown by Nile’s formidable father/boss, Martin (Jonathan Banks). Aggie and Nile weirdly come alive in each other’s presence. Unfortunately, it’s those around them who drop dead. Through this, The Beast In Me tests the limits of their mental states. And the show thrives by keeping them in the gray area between being united and at odds. 

TV dramas that trap a couple of people in an emotionally volatile situation aren’t rare. This year alone, Black Rabbit threw Jason Bateman and Jude Law together as dysfunctional brothers unable to escape a cycle of bad decisions; and in Untamed, Eric Bana’s National Park Service officer ended up investigating his close friend and mentor (played by Sam Neill). While those promising shows got bogged down by a tedious momentum and undercooked side plots, The Beast In Me boasts a sharp focus and pace that helps overcome the slightly-too-glossy production design. 

Plus, Danes and Rhys lock viewers in, even when there’s a foreseeable twist or turn here and there. The Homeland star’s ability to wear her character’s heart on her sleeve is on full display here. But there’s an even bigger through-line between these two in how they run toward, not away from, danger. Danes’ work feels familiar (she can really cry on a dime, huh?), but she still makes Aggie’s tension and trauma feel new and lived-in. And Rhys is enigmatic as he gets lost in Nile’s thornier, more sociopathic side, with a jolting finale monologue that rivals the one he delivered in The Americans‘ sendoff. And anchored by those performances, The Beast In Me‘s snappy premise turns into an evocative and binge-worthy exploration of the human condition.    

The Beast In Me premieres November 13 on Netflix

 
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