The Craft: Legacy writer-director Zoe Lister-Jones discusses that surprising final scene
Note: This interview contains spoilers for The Craft: Legacy, so watch/read at your own risk if you don’t want to have any of the movie’s surprises ruined for you.
Like many self-proclaimed “weirdos” who came of age in the ’90s, Zoe Lister-Jones sees The Craft as more than just a movie about a group of teen girls with magical abilities and incredible fashion sense. For the actor/writer/director, The Craft was a rare opportunity to see young people like herself represented in movies, and a sign that she wasn’t so alone. Twenty-four years later and the multi-hyphenate is the creative force behind The Craft: Legacy, writing and directing the movie that—as many have discovered—is more of a sequel to the original than it is a remake. The A.V. Club had the opportunity to speak with Lister-Jones about what the 1996 film meant to her, and the many ways her film connects back to it. As those who have seen Legacy will know, its final scene links the two in a pretty big way, and Lister-Jones was happy to talk about the process of making that happen, and what it’s taken to keep it such a big secret.
The A.V. Club: It’s clear there’s so much love for The Craft and the world that it created. What did that movie mean to you when you first saw it, and what does it mean to you now?
Zoe Lister-Jones: Well, the movie meant a lot to me then, as it did to so many people, which is why it was real daunting when the opportunity came to reimagine it. You know, I was a weirdo—in the best way—but it didn’t come without pain and suffering [Laughs.] I shaved my head when I was in seventh grade and I wore polyester men’s leisure suits that I would buy at the Salvation Army. I was very masculine presenting, I was misgendered often, and I was really bullied often and… Yeah, I was just in a lot of pain and felt very isolated. When that film came out, it was one of the first mainstream popular culture vehicles where I felt seen, and I felt like the weirdos could actually be the heroes.
So I guess what it means to me now is similar because that little weirdo is still raging inside of me [Laughs.], and she’s still in pain, because we are all just constantly healing our inner wounded child. So I think it has the same meaning to me. Rewatching it, when I was approached to reimagine it, some things hit a little different, which was good inspiration for me, in terms of what I might want to update. And the biggest element that I really did want to [include]—on a macro level—was to create a story where these four young women didn’t use their power against each other, but rather to uplift and uphold each other.
AVC: And what about those polyester men’s leisure suits? Are those still around?