Another band with a silly drug name and a silly scene name—“nardcore,” a conflation of Oxnard, as in California, and hardcore—Rich Kids On LSD may or may not have been rich or on LSD at the time, but they did end up influencing the California punk scene for years to come. The name came from a criticism of their look, though they later gained a reputation as serious users, and the band’s story ends pretty tragically, with the deaths of several members, a couple due to drug-related complications. [Josh Modell]
Formed from the Heimlich-maneuvered remains of Choking Victim in 1998, Leftöver Crack, according the frontman Scott “Stza” Sturgeon, is a reference to the fact that crack-cocaine is highly addictive, and there is not likely to be much of it, you know, left over after use. It’s also possible that this name was just one of many instances of the band’s trademark punk rock provocation, which reached its apotheosis in the 2001 split, “Baby Jesus Sliced Up In The Manger.” [Drew Toal]
“A spreading wave of relaxation slackening the muscles away from the bones so that you seem to float without outlines, like laying in warm salt water.” So William S. Burroughs described his first taste of morphine in 1953’s Junky, and the description could easily apply to the band that took the same name. With a style that falls between alternative rock and jazz, dubbed “low rock” by founder Mark Sandman, Morphine aims for a deep baritone effect that puts the listener in a dark yet comfortable state of mind. The otherworldly sounds are heightened by experimental instrument combinations—Sandman combined guitar and bass strings to create the hybrid instruments “guitbass” and “tri-tar,” Dana Colley occasionally played two saxophones at the same time—that further the feeling of a high where the ugly moment of comedown lurks in the shadows to your right. [Les Chappell]
The power trio Blue Cheer is dimly remembered as one of the originators of heavy metal, but the San Francisco-based group shared a scene with the folkie-psychedelic Grateful Dead, and paid their respects to the Dead’s patron and sound man, LSD manufacturer Owsley Stanley. (“Blue Cheer” was the street name for a brand of the drug that fueled many an Acid Test.) Formed in 1967 around bassist-singer Dickie Peterson, the band had a Top 20 hit with their debut single, a bottomed-out version of Eddie Cochran’s “Summertime Blues.” Peterson replaced the musicians playing around him so often that following their lineup came to resemble staring at the melting face in Robert Crumb’s “Stoned Again” poster. [Phil Dyess-Nugent]
One of the ugliest and most reedy-voiced of early ’80s West Coast punk bands, which is saying something, China White was formed in the late ’70s and took their name from a brand of heroin then popular on the scene. The name was also a nod to the instant-classic song “Chinese Rocks,” written by DeeDee Ramone and Richard Hell. But among California punks, China White’s name took on an additional, ghoulish degree of street cred after Germs leader and The Decline Of Western Civilization star Darby Crash fatally overdosed on the stuff in 1980. These connections were tragically apropos for a band with a real junkie’s sense of erratic timing. China White’s original lineup only outlived Crash by a few years, and their first full-length album, Addiction, was recorded in 1993 but not released until 1995. [Phil Dyess-Nugent]