X-Men '97, 3 Body Problem, and more from this week in TV
A round-up of our best reviews and features from the world of television for the week of March 18

3 Body Problem review: So is this the next Game Of Thrones?
There’s no getting around the fact that 3 Body Problem comes to Netflix with a lot of baggage. It’s based on an international bestseller with legions of fans all over the world, and it’s not even the first adaptation of Liu Cixin’s Remembrance Of Earth’s Past series to come to TV screens. Add to that the expectations that come with being the first show executive producers David Benioff and D.B. Weiss have actively led since Game Of Thrones ended (rather divisively, as you may recall), and that’s a lot to overcome. The eight-episode series, which premieres March 21, seems well aware of its provenance, and is overly eager to please as a result. It may wear the garb of prestige television, but underneath it’s just a nerdy science-fiction show, with a healthy emphasis on the science. Read More
X-Men ‘97 review: This is how you reboot a beloved TV show
There’s no reason, beyond love, for X-Men ’97 to be any good. Cynicism argues that Marvel could have slapped together almost anything for this unabashed nostalgia product, attached it to the iconic opening title sequence from Fox’s classic Saturday morning cartoon—which ’97 serves as an explicit, and reverential, sequel to—and raked in the same number of clicks and new Disney+ subscriptions as it did by making something genuinely great. The fact that X-Men ’97, which premieres March 20, is great—smart, exciting, funny, and hokey in just the right ways—speaks to an obvious and abundant affection for this brand, and these characters, that’s evident in how the show updates a slightly hoary classic for the modern era. Read More
The white guy in Shōgun can’t help but fail upward
In developing its new adaptation of James Clavell’s Shōgun, FX specifically set out to avoid simply rehashing the “whitewashed” 1980 original, which starred Richard Chamberlain and was entirely told from the perspective of his character, John Blackthorne, an English seaman who gets shipwrecked in Japan in the 1600s and must learn their ways in order to survive (while also passing on his knowledge of English romance and warfare). This new take pulls back the focus to center on a larger group of characters and treats the saga as more of a historical epic than one white man’s adventure, which allows it to showcase more of the Japanese perspective and gives it a more mature and culturally coherent story. It also, intentionally or not, turns its new version of John Blackthorne into the most perfect putz, the most lovable dingus, and the most frustratingly endearing dorkus to ever set sail. Read More
Shōgun recap: Blackthorne and Buntaro face off over sake
In my various professional and personal intersections—writer, speech-language pathologist, what-have-you—one maxim rings true enough for me to wear it emblazoned across many of my shirts: “Your Words Matter.” Obviously an episode of Shōgun that is all about that is going to check all of the right boxes for me. This one doesn’t disappoint. Read More