Metal music still has an unaddressed Nazi problem
Recently, Profound Lore Records announced a new 12-inch EP from Disma, an American death metal band that’s existed for well over a decade. The band’s frontman Craig Pillard is considered a pioneer of the genre due to his work in Incantation, one of the early innovators in New York City’s death metal scene. He is also considered a fucking Nazi.
Outside of Pillard’s main gig, he has a solo project called Sturmführer, a name derived from the paramilitary rank within the Nazi army that best translates to “assault leader.” Under the Sturmführer name, Pillard has released records that feature swastikas in the artwork and are put out on labels like Satanic Skinhead Propaganda—an imprint that, before closing in 2013, handled records by other metal bands that traffic in overt racism. But by becoming part of the Profound Lore fold, Pillard is no longer just on the cultural fringes. And his involvement there says something striking about modern metal’s ongoing Nazi problem.
Profound Lore, along with labels like Southern Lord, specializes in some of the most progressive, interesting metal being made today. Glance over its discography and you’ll find releases that rarely adhere to one sound but often push boundaries—be it Full Of Hell’s abrasive noise-metal, Krallice’s experimental black metal, or even Dälek’s off-kilter hip-hop. Come March, you’ll also find the new album from Pallbearer, an Arkansas metal band with potential to be a huge, Mastodon-style crossover act. If so, it could similarly bring more mainstream exposure to Profound Lore, which only makes the label’s seeming lack of an ethical line all the more troubling.
But metal’s ongoing problem with bigotry extends well beyond Profound Lore and its roster. Black metal pioneers Mayhem spent this past winter touring with Inquisition, a critical darling who’s also been lumped in with the white power movement. Most of those accusations stem from frontman Jason “Dagon” Weirbach, whose side project, 88MM, boasts a name that alludes to the preferred artillery of Germans in World War II—and even more symbolically, evokes the “88” code employed by neo-Nazis, as a stand-in for “Heil Hitler” (“H” being the eighth letter of the alphabet). 88MM also once released a song titled “14 Showerheads, 1 Gas Tight Door” on the Satanic Skinhead compilation Declaration Of Anti-Semetic Terror, and it once released a split with Satanic Skinhead’s founder, “Antichrist Kramer,” who has a well-documented history of association with openly racist and anti-Semitic bands preaching fascism and ethnic cleansing. Put it all together, and you’d make a reasonable case that—at the very least—Weirbach has a real blind spot when it comes to cultural sensitivity. You might also accuse Weirbach of being a fucking Nazi himself.
Plenty of people did just that in 2014, after Decibel ran an interview with Daniel Gallant, a one-time Canadian skinhead who abandoned the movement and has since worked to expose the tactics used by white power groups. Gallant says that, while driving a tour bus for Inquisition, Weirbach and drummer Thomas “Incubus” Stevens both gushed over his swastika tattoo (which he’s since had removed), with Gallant claiming Stevens even talked about his own beliefs in white supremacy. In a separate interview with Decibel, Weirbach denied he had any Nazi associations—“I’m not a Nazi,” he said flatly—though he had a slightly more muddled response when asked how he would describe his reaction to seeing Gallant’s tattoo, as well as to what it represented:
I can honestly tell you that I never flat-out said I thought it was a horrible thing, or that I was against it, but never did I say I was with it and that I believed in it. What I have always told people is I understand it. I understand that when you look at history and what was happening at the time, whenever you put yourself in everybody else’s shoes—and if you’re smart enough, and you have… maybe common sense is not the word, but you have an understanding of why things happen in history and in humanity the way they do, it doesn’t matter how ugly it is to you or how great. It’s simple physics. It’s nature. Things happen. Earthquakes happen. You know? Bad, good—things happen.