In the three years since we began, the Internet has opened up for underrepresented writers in ways we wouldn’t have predicted or believed from our 2015 bunker. It was an honor to be part of that brigade, and we can’t wait to see how those who forged that path keep holding space after Lenny is gone.
While there’s no one reason for our closure, this change allows for growth and a shift in perspectives — ours and yours. But can we ask one favor? Please, continue to push forward the voices that need a platform, the untold stories that deserve to be heard, the diversity that the publishing industry claims to value but has never mastered.
Lenny Letter began as a twice-weekly newsletter, its articles on women’s topics—some written by the likes of Jennifer Lawrence and Alicia Keys—eventually drawing roughly half a million subscribers. The Post reports, however, that those numbers have fallen “precipitously” since the summer of 2017. In November of the same year, one-time Lenny Letter contributor Zinzi Clemmons called for “women of color—black women in particular—to divest from Lena Dunham” in the wake of Dunham’s response to sexual assault allegations lodged against Girls writer Murray Miller.
Apparently, the project struggled for ad support, despite deals with both Hearst Digital Media and Condé Nast. Freelancers were told earlier this week that they’d receive “kill fees” for any written works that had yet to be published on the site.
Softening the blow for Dunham fans is her new HBO series, Camping, which premiered last weekend. Dunham will also appear in Quentin Tarantino’s upcoming Once Upon A Time In Hollywood.
