Task's premiere brings Mare Of Easttown energy back to HBO
Mark Ruffalo and Tom Pelphrey star in a crime drama about fatherhood, faith, and grief.
Photo: Peter Kramer/HBO
Task begins with ritual. A morning prayer. A fatherly nose rub. A thermos of coffee. A facial ice plunge. It’s a small accumulation of details through which we meet our dual protagonists: FBI recruiter Tom Brandis (Mark Ruffalo) and trash collector Robbie Prendergast (Tom Pelphrey). The thick accents and references to scrapple and water ice quickly clue us in on the fact that we’re near Philadelphia, but before we know too many details about the plot and setting, we already have a sense of our two leads. They’re men from different worlds linked by a daily grind that neither seems to find particularly fulfilling.
That observational touch is a signature of creator Brad Ingelsby, who became an HBO darling with the 2021 sensation Mare Of Easttown and now returns with another crime drama set around Philly. But where Mare was a defining showcase for Kate Winslet as a dogged detective, Task is a two-hander juxtaposing two different perspectives. This time around, we’re not just following an officer of the law; we’re following the criminal too.
Titled “Crossings,” this premiere fittingly lets us get to know Tom and Robbie through sequences that compare their lives. While Tom returns home for a lonely vodka nightcap in a plastic Phillies cup, Robbie excitedly cases the trap house he wants to rob. While Robbie jumps into a lake to celebrate a job well done, Tom cleans out the dirty stash house he’s been assigned as his task headquarters. Where Robbie mourns the loss of his brother Billy by embracing a warm, scrappy circle of friends and family, Tom is more withdrawn and isolated in his own complex family grief.
Outside of two incredibly tense robbery sequences, this 66-minute premiere takes its time laying out the backstories of its characters and the throughlines that will drive the season. That’s the sort of slow-burn luxury you get in your second go as a prestigious HBO showrunner, with an audience ready to play the long game based on the goodwill of Mare. But “Crossings” has two big themes it wants to introduce here. On the one hand, it contrasts an FBI agent who carries the weight of the world on his shoulders with a burglar who never quite learned to take accountability for his own life. And on the other, it juxtaposes two men who have already come of age with the young folks living under their imperfect influence.
Though Tom and Robbie get a few respective contemporaries—including Robbie’s best friend/fellow burglar Cliff (Raúl Castillo), Tom’s boss Kathleen McGinty (Martha Plimpton), and his priest friend Danny (Isaach De Bankolé)—for the most part, they’re surrounded by characters who are younger than they are. Tom has a responsible teenage daughter named Emily (Silvia Dionicio) and an incarcerated son named Ethan who’s facing third-degree murder charges for an as-yet-unrevealed “crime within the family unit.” (The fact that Tom’s wife and their third child only appear in a photograph is an ominous hint.)