What A Day is the daily news recap for those who are already very tired

Gilbert Gottfried’s Amazing Colossal Podcast
Ernie Kovacs Centennial Celebration With Josh Mills And Ben Model
Perhaps one of the medium’s most overlooked gems, Gilbert Gottfried’s Amazing Colossal Podcast is doing great work in keeping alive the legacies of countless performers from Hollywood’s golden age while being utterly profane and riotously funny. Between the eponymous Gottfried and co-host Frank Santopadre, the show is a sort of encyclopedic celebration of all the unjustly forgotten film and television talents of yesteryear. This week’s episode is a bit of a calamitous dream for comedy fans, as Gottfried and Santopadre fête the memory of television pioneer Ernie Kovacs. Joining the pair are Josh Mills (the son of Kovacs’ widow, Edie Adams) and archivist/silent film accompanist Ben Model. It’s archetypal Amazing Colossal Podcast material, by turns nakedly offensive, side-splittingly funny, and genuinely informative. Whether it’s Gottfried forcing Model to improvise a score for a fake silent film or Mills finding his own mom on Playboy’s list of “most fuckable women,” this episode is rife with delights. [Ben Cannon]
Night Call
The Very Abyssal Episode
If you had to sleep with one of the lead male characters on Seinfeld, who would you pick? This is one of the many questions debated on the latest episode of the freewheeling pop culture podcast Night Call. Hosts Molly Lambert, Tess Lynch, and Emily Yoshida make a case for each of those terrible men and conclude that their choices are based on individual tolerance levels for freeloading, sociopathy, and whether they bring sandwiches to bed. There is also much disagreement among the three when it comes to the subject of Gwyneth Paltrow. Lambert has a particular dislike of the actor-turned-influencer’s lifestyle grift, while Yoshida says, “I want to be a woman in STEM. I want to work at the Goop Lab!” They also kick off their series on bad early CGI in film with James Cameron’s The Abyss. This becomes a problem, because the movie actually has great CGI. Instead, they focus on Cameron’s apparent obsession with almost getting members of his cast and crew killed. [Anthony D Herrera]