A.A. Bondy has an American heart
Like a lot of music fans, A.A. Bondy has delved deeper into the rich past of American music as he’s gotten older. Only he’s done much of his exploration on record, starting out with the Nirvana-inspired indie-rock band Verbena in the ’90s before moving onto the Dylan-esque folk of his 2007 solo debut, American Hearts. Released without much fanfare, American Hearts slowly became a favorite of bloggers and roots-music fans thanks to Bondy’s rigorous touring schedule. He followed up with last year’s When The Devil’s Loose, a mature and wraithlike sophomore effort that pushed Bondy’s usual themes—death and religion—to even deeper, more placid depths. In advance of his headlining show Thursday, Jan. 28, at the Hi-Dive, Bondy talked to The A.V. Club about recording in barns and chicken coops, and how much he tries not to let that constrict him.
The A.V. Club: Because you’re a guy who plays acoustic guitar, you get compared to Bob Dylan and Johnny Cash a lot. Does your music fit in a contemporary context?
A.A. Bondy: No, but what’s contemporary music now? It seems like people now have access to all kinds of music at once. My teenaged brothers and other kids I know seem to have recognition of a far greater scope of music than I did at that age. I don’t sound like Johnny Cash. There are probably things I’ve stolen from Bob Dylan—certainly if you play harmonica in a major key against an acoustic guitar you always run that risk. But so did Neil Young. So did fucking Billy Joel every once in a while. I haven’t gotten that one yet. [Laughs.]
AVC: There’s a lot of baggage that comes with being a “lone troubadour” type.