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Pop culture obsessives writing for the pop culture obsessed.

A visitor takes a long look at Apu on a funny, thoughtful Simpsons

Illustration for article titled A visitor takes a long look at Apu on a funny, thoughtful Simpsons

The title of “Much Apu About Something,” about Apu’s nephew Jamshed (or Jay, as he prefers) turning the Kwik-E-Mart into a health food store, might reference a beloved episode about Apu’s dignity in the face of Springfield’s hairtrigger xenophobia, but it’s equally a referendum on the character of Apu Nahasapeemapetilon himself.

The casting of Utkarsh Ambudkar (Pitch Perfect, Mindy’s would-be rapper brother on The Mindy Project) signals that intent as much as the episode’s storyline itself. Ambudkar, a Baltimore native of Indian heritage, has joined other performers (like Hari Kondabolu, Aziz Ansari, and Pakistani-born Kumail Nanjiani) in calling out The Simpsons’ continued use of white guy Hank Azaria to play an Indian guy who runs a convenience store and speaks in an exaggerated, not region-specific Indian accent. In a 2013 interview, Ambudkhar was quoted as saying, “I hate that guy (meaning Apu, not Azaria),” before explaining that the character’s name, for as much as he’s beloved by Simpsons fans, has become a blanket insult Indian kids have to deal with all their lives. As for noted nice guy Azaria, he’s conceded over the years that, as much as he views poor Apu as a positive role model (at least as far as Springfield goes), the character’s genesis wasn’t especially nuanced. Speaking in an interview about the genesis of Apu’s voice, he says, “It’s not tremendously accurate. It’s a little, uh, stereotype,” he recalls saying to the writers room, “And they were like, ‘Eh, that’s all right.”

Illustration for article titled A visitor takes a long look at Apu on a funny, thoughtful Simpsons

But we’re not here to bury Apu Nahasapeemapetilon—in a Springfield full of stereotypes, the Indian guy working in a convenience store started out as just one of the broadly-drawn gang, and the show quickly filled in Apu’s character and backstory with mostly laudable characteristics. He’s diligent, kind, and one of the smartest people in town, and—as this episode’s namesake showed—The Simpsons took pains to use Apu’s life to point out a lot of the difficulties new Americans face as they attempt to assert their individuality. (Not to mention their professional standing—Apu has a Ph.D. in computer science, for gods’ sake.) Still, as Azaria himself has noted, it’s hard not to be affected by the words of someone like Kondabolu, who says his experience is in hearing Apu’s oft-imitated voice as “a white guy doing an impression of a white guy making fun of my father.”

So Ambudkhar’s casting as Jay (first seen as a child back in season four, wielding a shotgun and guarding the Kwik-E-Mart) suggested that Apu might be due for adjustment, or even retirement. (There was unfounded speculation that he was even going to be killed off.) As it turns out, things return to one in true Simpsons fashion by the end of the episode, as Jay’s refashioned, all-natural store, Quick & Fresh (“Who spells “quick” with a “Q?,” rants Apu) is destroyed, and a single salvaged scratch ticket allows Apu to put things back the way he wants them. It might seem a facile way to resolve Apu and Jay’s conflict, if not that episode writer Michael Price (creator of the recent F Is For Family) does some nimble work in showing Springfield’s essentially all-stereotype population is the only place Apu really belongs.

It’s a subtle distinction—and I’m very interested in hearing Ambudkar’s reaction to the episode—but it’s hardly a brush-off. When Homer and Marge take Apu and Manjula (played by Tress MacNeille since the death of Jan Hooks) out to Luigi’s to cheer him up after yet another Springfield parade disaster has destroyed the Kwik-E-Mart, Apu and Jay (dining with some of his “millennial” friends) really get into it, both over Jay’s decision to use his father Sanjay’s greater stake to transform the store, and Jay’s lifetime of embarrassment at his elders’ actions. Confronted by a drunkly belligerent Apu’s Gunga Din analogy, Jay lashes out:

That’s exactly what I’m talking to you about. You’re my uncle and I love you, but you’re a stereotype, man. Take a penny, leave a penny. I’m Indian, I do yoga. Why don’t you go back to the Temple of Doom, Dr. Jones!


Apu, after angrily asserting he only worked on Temple Of Doom for three months and that you can only see part of his hand in the finished film (a funny turn), is taken aback, but, storming out, he can’t help but reinforce his nephew’s point, snapping, “This stereotype will no longer be a troublesome potato in your spicy vindaloo!” Which is when Luigi comes out of the kitchen of his Italian restaurant and complains that stereotypes are-a no-a good-a, etc.

It’s then that you realize that Price has seeded virtually all of Springfield’s broad types all through the episode. Apart from Luigi, at the parade celebrating Boston Irish Kennedy parody Mayor Quimby’s new Jebediah Springfield statue, there’s Hank Azaria’s swishy gay pride leader, and a trio of Hispanic mechanics. The Quick & Fresh’s “better class of robber” is Azaria doing an effete British type. There’s Grandpa, of course, falling for Bart and Lisa’s “move our mouths and don’t say anything” gag, and being mocked for his old-timiness in general. (Strangely, Willie—arguably Springfield’s broadest caricature of all—doesn’t appear.) And Jay himself, in Ambudkar’s slangy hipster diction and disdainful attitude gets called out for being beholden to his own cultural markers. (After Jay apologizes to his uncle with a repentant “I was kind of a douchewheel,” Apu grumbles, “Even your way of apologizing offends me.”)


The term “equal-opportunity offender” is often the flapping flag signaling a dispiriting defense of boorish assholery or just plain comic laziness, but The Simpsons’ blanket irreverence toward cultural and religious affiliation has indeed been reliably uniform over the years. So much so that when the show has seemed to engage in unambiguous prejudices itself, (as in season thirteen’s Brazil-bashing “Blame It On Lisa,” for one) it’s been especially jarring. What Price is doing in “Much Apu About Something” isn’t so much excusing the show’s use of stereotypical characters as acknowledging that, while some stereotypical aspects of characters like Apu have grown outdated (and proven hurtful to some, including the episode’s guest star), they are part of a continuum of broad cultural satire. Again, I’m not Indian, and as a white, heterosexual male, I renounce any claim to truly understanding a lot of the ways unreflective prejudices (as the show maintains the creation of Apu was) are deeply painful to see and hear. But the episode, especially considering Ambudkar’s involvement, suggests that The Simpsons is at least (and at last) engaged in the conversation.

Jay’s eventual defeat at the hands of Bart—who turns off the Quick & Fresh’s electricity for 30 seconds, rightly theorizing the lack of preservatives will destroy everything within—could be seen as the show co-opting one of its critics solely in order to give his point of view some lip service. But Jay’s success outside of Springfield—top of his class at Wharton business school—suggests a kinder interpretation. Unlike his uncle (who graduated top of a class of 7 million back in India), there’s the sense that Jay is going to be able to escape Apu’s stagnant destiny. There’s no question his changes to the Kwik-E-Mart were better for the town, and were successful (Apu concedes that he improved business some 500 per cent), but Springfield isn’t a place for improvement or lasting change. It’s hardly Master Of None’s heartbreakingly effective episode about how second-generation Indian Americans leave behind much of their parents’ identities—for good and bad—but, in parting on good terms, Apu and Jay perform something of the same function. Jay will leave (there’s no indication Ambudkar will be returning), and Apu will stay, because the broader, coarser, but not unkindly comic world of Springfield is the only place that Apu can exist. Like Ambudkar’s brief guest appearance here, all Jay can do is bring in some outside perspective and then leave, and hope his visit shifts the entrenched world of The Simpsons a bit.


Stray observations

Illustration for article titled A visitor takes a long look at Apu on a funny, thoughtful Simpsons
  • I realize I’ve made “Much Apu About Something” sound more like a treatise than a sitcom episode, but it’s also very funny, and hangs together exceptionally well (especially for late Simpsons). Caught causing the cops vs. firemen fight that destroys the Kwik-E-Mart, Bart’s promise to Homer never to prank again circles around nicely into the main story, as Homer begs him to un-reform so that the despondent Apu can have his store back. And, while brief, the Lisa-Bart bonding over their shared understanding that, as Lisa puts it, “This family isn’t the best at recognizing achievement” is one of the sweetest interactions the Simpson siblings have had in a long time.
  • The joke that Homer is just as invested in the elaborate backstory of Lisa’s departed imaginary friend Rachel is silly and lovely. “I never even got to say goodbye!”
  • Bart’s path of righteousness hits its toughest hurdle right off the bat, as Milhouse points out that Superintendent Chalmers is sunbathing nude under a beehive. Bart resists, even as Chalmers announces proudly, “Now to present my manhood to the sun!” Bart: “You know, a little part of me is glad Chalmers’ crotch isn’t covered in bees.”
  • He even resists Milhouse’s entreaty to use a brick to smash the window of the cherry-picker Skinner is using to de-tangle the flag, putting it under the front tire instead. “Now he’s even safer than ever!,” gasps the horrified Milhouse.
  • Lisa, appealing to Bart not to destroy Jay’s store, urges him to look into her eyes and tell what he sees. Bart: “I see love. Unconditional love. Which means I can so whatever I want!” That’s a fine joke, sweetness taking a u-turn right back to Bart-logic.
  • Marge, desperately being Marge as she and the school’s marching band flee from the parade chaos: “Who wants juice? Who needs juice?” Exasperated Lisa: “Nobody!”
  • Mayor Quimby, touting the town: “Springfield has more handicapped parking spots for fat guys than any other non-Chicago city!”
  • Krusty, explaining his work as volunteer fireman (another reference to “Homer The Heretic”): “This is the one good thing I do!”
  • Springfield’s corrupting effects on Apu, as revealed in the episode: He lost 30 per cent of his store to Sanjay thanks to a scratch ticket addiction; while he engages in price-gouging during crises, he’s willing to forgive his neighbors for looting.
  • “This vest has a bullet hole for every time I have been shot. It is my lucky vest.”
  • Treating himself to an unwrapped Playdude when he thinks he’s about to die, Apu is bitterly disappointed by the contents. (“An interview with… Jim Gaffigan.”)
  • “Marge, he’s got nine lives!” “I am a Hindu, sir, not a cat. I have infinite lives. During some of which I may be a cat. In those, I will have nine.”
  • Jay, pointing out Homer’s acquiescence to the new olive bar over the old roller hot dogs: “See? He doesn’t care what he eats, he just eats things in that location.”
  • Moe, touting Moe’s Tavern’s cover story in Giving Up magazine: “That was the last issue ever!”
  • The current scratch tickets are The Big Bang Theory-themed, another show with an Indian character some people find stereotypical, although Kunal Nayyar’s Raj is at least played by an actor of Indian descent. (I don’t watch the show—where do we come down on Raj?)