Criterion Antichrist. Are there two sweeter words in the English language? Probably so, but it’s nice to see Lars von Trier’s typically polarizing take on the horror genre get a shot of legitimacy from the most respected DVD label around. (Complete with audio commentary, a documentary about the turbulent première at Cannes, and other goodies.) Though out of control at times—”chaos reigns,” after all—Antichrist strikes tricky balances between serious psychodrama and coal-black comedy, and between prankster provocation and a complex exploration of the power games and masochism that poison a marriage…
Calling a Happy Madison production lazy is inherently redundant: Adam Sandler’s production company has made a fortune exerting the least possible effort to satisfy the world’s least demanding audiences. But Grown Ups (Paramount) stands out as egregiously half-assed even by Sandler standards. It’s less a comedy than an opportunity for Sandler to go on vacation with his buddies (Kevin James, Chris Rock, David Spade, Rob Schneider) and have a major studio foot the bill…
Charlie St. Cloud (Universal) stars Zac Efron as a sailing prodigy who’s all set to enroll at Stanford when his little brother gets killed in a car accident. He spends the next five years working at a cemetery, playing ball with his brother’s ghost. Not hard to guess where this is headed, especially once a fetching woman enters the picture, but it’s somehow duller than it sounds. But if you like sunsets…
Beverly Cleary’s beloved Quimby sisters get the big-screen treatment in Ramona And Beezus (Warner Bros.). The film is sweet, though a little on the dull side for viewers over a certain age. Still, it’s the beneficiary of low standards: It’s easy to root for a kids’ movie that isn’t manic and fart-driven.