Ildefonso Falcones: Cathedral Of The Sea

When Bernat Estanyol is
forced to flee from his ancestral lands, he and his son Arnau find refuge in
the city of Barcelona, where any serf can win his freedom if he stays a citizen
for a year and a day. As Bernat struggles to make ends meet, Arnau befriends
Joan, a young boy with an equally troubled past, and the two eventually become
adopted brothers. Arnau also develops a bond with the Santa Maria church, and
when he's forced to support himself and Joan, he joins the bastiax, the laborers who
transport stones from a nearby quarry to the church grounds. Over the next 50
years, Arnau's fate brings him fortune and temptation, while Joan's leads to
religious vows and the Inquisition. All the while, the Santa Maria endures.

Cathedral is an artless book; the
translated prose is perfunctory, the characters speak in flat, declarative
sentences, and most of the plot twists were played out when the Virgin Mary was
bemoaning Bethlehem's lack of Comfort Inns. There's also a certain clumsiness
to Falcones' portrayal of sensuality—women's bodies are described in the
panting tones of a Leisure Suit Larry game, and a December-May romance between
Arnau and his ward comes off as sketchy no matter how sincere (and suffering)
both parties profess to be. What the novel lacks in grace, though, it makes up
for in good old-fashioned melodrama. Cathedral is solid summer reading:
immersive, expertly paced, and fundamentally good-hearted. The real trick is
finding room for its bulk in the beach bag.