7 bad guys we love to root for

Almost every character on has lied, stolen, maimed, and/or murdered to preserve themselves or exact revenge for their loved ones, but few of them seem to do it as cruelly, and savor it as wholly, as Cersei Lannister. The lengths to which she has gone to make someone pay for crossing her or her family—making Ellaria Sand watch her own daughter slowly succumb to poison, loosing The Mountain on Septa Unella—are absolutely terrifying. On the other hand, it’s easy to recognize it all—as of her character have done—as a response to a lifetime of trauma and lack of agency. She almost met her match in the Faith Militant, and like most people, I relished seeing her taste her own medicine, even while feeling the deep humiliation and rage of her Walk Of Atonement. But we all knew her revenge would be more devastating than ever, and to watch her spend the entire sixth season patiently plotting it was so goddamn satisfying. I haven’t read the books and don’t know George R.R. Martin’s original characterization of Cersei, but the image of Lena Headey silently watching from afar as the Sept Of Baelor is consumed by wildfire, wine glass in hand and subtle smirk across her face, is one of my favorites in TV history. [Kelsey J. Waite]

I’ve probably rooted for a lot of bad guys in my time—I always choose evil when video games give me a choice—but my favorite bad guy to root for is unquestionably Al Swearengen, from . It’s easy to forget that he is the ostensible bad guy when the show begins, positioned opposite the hyper-moral Sheriff Bullock, especially as more homicidal antagonists take over the plot in later episodes. But Swearengen’s still a murderer, a crook, a pimp, and worse, a clear-cut foil to the forces of civilization and good threatening to spoil his tidy little operation. Still, he steals the show, in part thanks to David Milch’s wonderfully profane language and in part because of how Ian McShane tears into those beefy, Shakespearean monologues. Thank god they’ve finally , so I’ll know if all my rooting paid off. [Clayton Purdom]

If I’m riding on Sam’s coattails with my answer, it’s only because Batman is unique for having a rogues’ gallery that’s far more interesting than our chiropterology-obsessed hero. And Ra’s Al Ghul is just one of the coolest comic book villains, period. He’s the head of the sufficiently evil League Of Assassins, but his overarching supervillainy is the kind of extreme environmentalism that’s come into vogue as a motivator for egomaniacal mass murderers everywhere. Earth is teetering on destruction, and what better way to facilitate a cure than by eradicating humanity? In my darker moments, it’s a belief my hippie-tinged misanthropy is certainly sympathetic to, but Ra’s really sells it by being thoughtful, intense, clever, and always coordinating spectacular capes with his suits. He’s also nearly immortal due to periodic baths taken in the righteous-sounding Lazarus pits, and his quasi-sideburns/beard tufts are the template on which all villainous facial hair should be based on. He has a deep respect for Batman and has worked alongside him for shared purposes on multiple occasions, while also attempting to bring him into his family and make him heir to the League. It’s the kind of measured and ambiguous tension that makes Al Ghul so fascinating. [Nick Wanserski]

Put me in the “Ursula was right” camp. I was too young and dumb to recognize her greatness when I first saw The Little Mermaid: her , strapless dress, and killer lipstick were all elements I’d have to wait a few years to appreciate. While I can’t endorse her entering into a contract with a 15-year-old—mermaids live to be about 300 years old, per the Hans Christian Andersen story, which just makes it worse—Ursula makes a great point (in verse, no less) about steering clear of the kind of guy who doesn’t care if you ever speak so long as you’re beautiful. [Danette Chavez]