Fatih Akin's 2003 feature Head-On was about a
marriage of convenience, and his 2005 documentary Crossing The Bridge covered Istanbul's diverse music
scene, but both were really about how the increasingly intermingled Turkish and
German cultures try to heal their schisms through contrivance—whether by
blending musical genres, finding loopholes in the law, or submitting to the
will of the European Union. Now in The Edge Of Heaven, the writer-director returns to the
idea of people trying to will their way to happiness. As the movie opens,
elderly gambler Tuncel Kurtiz meets middle-aged prostitute and fellow Turk
Nursel Köse in Bremen's red-light district, and offers to pay her to be his,
exclusively. Köse agrees, then dies suddenly, leaving Kurtiz's son Baki Davrak
to locate Köse's grown daughter Nurgül Yesilçay back in Istanbul. Davrak quits
his job as a German professor and buys a German bookstore in Turkey, unaware
that Yesilçay is actually in Hamburg, at his old university, having a lesbian
affair with sweet-natured student Patrycia Ziolkowska. When Yesilçay gets
arrested and deported for her participation in violent political protests, the
web that connects these characters tightens.