A beast of conflicting genres, Your Monster gets trampled in the telling
Melissa Barrera and Tommy Dewey land the witty rom-com part of Your Monster, it's the rest of it that's a mess.
Photo: Vertical
The trick to genre-mixing within a movie is making sure all the disparate parts are equally great. Shaun Of The Dead, American Werewolf In London, and even Splash get it right when they make major tonal shifts, or blend the seemingly unblendable. Writer-director Caroline Lindy’s Your Monster aspires to that equilibrium, weaving together a Beauty And The Beast-themed rom-com with an original musical and a horror film about suppressed rage. While her excellent leads, Melissa Barrera and Tommy Dewey, land the witty rom-com for the first two-thirds of the film, the horror and musical elements abruptly subsume the last act in the service of a twist that doesn’t pass muster.
Your Monster originated in 2020 as a semi-autobiographical short inspired by similar events that happened to Lindy in her 20s. This feature-length expansion ports over Dewey to reprise his role as the Monster, while Barrera continues her streak of winning roles, this time as Laura Franco, an aspiring actress in New York. Laura’s in the latter stages of battling cancer when she gets dumped by her boyfriend, Jacob (Edmund Donovan). Adding insult to injury, before she got sick, they had been developing an original musical together where he promised her the lead…until he dumped her from her dream role too.
Sick, jobless, and homeless, Laura is discharged from the hospital into the hands of her comically self-obsessed best friend Mazie (Kayla Foster), who then drops Laura off at her childhood home, now empty because her mother is traveling in Europe. Adrift, Laura drowns herself in tears, pastries, and inappropriate delivery man hugging as she copes with her loneliness and misery. That is, until an ominous thumping in the attic eventually reveals Monster. He’s a hairy man-beast who has lived in her closet since she was a child, appearing to defend her when she wasn’t being treated well by friends or family.
Laura is requisitely freaked out at his existence, but is even more taken aback by his surly attitude and vehement displeasure at her staying in his domain, where he likes to read and listen to classic vinyl in peace. With nowhere to go, Laura’s sobs earn a reprieve from the Monster and gets two weeks to find somewhere else to live which coincides with her plan to audition for Jacob’s play and win back her role.