Based On A True Story review: A flimsy but fun takedown of the true crime genre

Did you know that America is obsessed with true crime? What a shocker, right? A rapidly growing number of documentaries, podcasts, films, the entire Lifetime channel, and TV shows (getting Candy and Love & Death within months is a scary sign) are a constant reminder that pop culture has zeroed in on this aspect of the zeitgeist in grueling, compelling, and money-making ways. Naturally, things have crystallized to the point of satirizing the culture we’ve cultivated. Based On A True Story, which premieres June 8 on Peacock, strives to cheekily examine our fascination with evil and the dangers of getting addicted to the genre. It’s too bad, then, that the thrills of Craig Rosenberg’s comedy series taper off despite a tantalizing start.

BOATS (the acronym is what it is) will inevitably be compared to the hugely successful Only Murders In The Building. The new show, like the Hulu comedy, also centers on three people launching a titular podcast because they live in a murderer’s proximity. However, their intention isn’t to solve the crimes as much as is it to find profit and fame with a twisted gimmick. It’s a promising concept to scrutinize the weird glee true-crime fans get from morbid details and the ruthlessness with which content creators benefit from it. A couple of episodes set at a fictional Crime Con in Las Vegas (inspired by an actual annual event) are solid examples.

However, the show struggles to balance being surreal (there are creepy dream sequences and sexual fantasies) and taking itself seriously (there are, um, terrifying murders). It frustratingly lands between sincere and silly, not knowing which way to navigate or what message to send. The eight admittedly breezy half-hour episodes don’t allow BOATS to delve too deeply into what feels like a surface-level, broadly generated takedown, and the hints of nuance quickly get buried. But maybe that’s not necessarily the worst thing.

Based On A True Story floats by on a clumsy plot: a married couple teaming up with their eccentric plumber for a podcast, as one does. Each hopes to earn something from it, even if their morals are significantly compromised. A few early twists and tense interactions heighten the stakes, but every episode’s scheming becomes progressively nonsensical. Still, there’s just enough ridiculousness to keep the momentum going. BOATS is not the next great examination of true-crime aficionados or a worthy skewering of them. It turns out that it’s just a mildly entertaining show that lets Kaley Cuoco and Chris Messina shine. And sometimes that’s all the fun TV escape you need.