Second Opinion
This week, Steve Heisler reviewed Jazzpunk, a comedy game that he felt had too much shallow referential humor. EggplantWizard had a better time with it and told us why:
While I’ll admit there is humor in Jazzpunk that is referential (not all of it is), I feel it rises above that by framing the game as a loose series of non-sequiturs. Part of the fun is looking for the next gag. There are so many jokes that some are bound to fall flat, but if you look around the next corner, you’ll trigger another one that might be darn good. That’s really tough to do in comedy when you have a player who doesn’t necessarily follow your script. The developers smartly weave that randomness into the gags so that continuity doesn’t matter as much. It’s jazz! It’s just an excuse to make a series of interactive video game-based jokes, but it’s exactly that discovery that makes it compelling.
To Steve’s point about “Leave them wanting more,” I think Jazzpunk’s structure is such that it discourages long play sessions. If you just stick to the story, there isn’t much to do. But if you take your time, there’s a natural “small doses” stopping point as you complete each mission. Exploring it from head-to-toe in one sitting would wear on you just from the absurdity of each task blending into a hot mess of confusion. I’ve found that taking a break after each section or two eases that. It’s a game to be casually enjoyed and appreciated. It’s not something to be rushed through in haste, or conversely a time sink of activities like an open-world game. I see it as a form of comedic art, and it’s got a style I appreciate. Between this and Octodad, we’ve seen some interesting strides with funny games being made as of late. I hope the trend continues because self-serious games are so common and can be such a downer. You need a nice palate cleanser like Jazzpunk to wash away some of that drama. It’s not perfect by any means, but at least it’s fresh.
Further down the thread, The Space Pope graced us with an astro-papal appearance and a story about working on a game that had its own problems with referential humor:
I once worked at a company that made a game with a similar “reference = joke” mentality. It was a browser game in which you fought and recruited celebrity caricatures. So for instance, you’d pit fake Arnold Schwarzenegger against fake Lady Gaga, and they would say their catchphrases or something. They invited me to suggest content for the game, but all I got around to doing was trying to talk them out of their idea for Teenage Mutant Ninja Turtle characters. See, they’d be drawn as realistic non-mutated turtles, but still wearing the masks and all, and one of them would be gay.
That was the joke. One of them was gay. His name was “Fellashow” (I feel at this point the need to stress that this story is 100-percent true), and he had dialogue about going to the club to hang out with “Ricky,” i.e. then-recently-outed celebrity Ricky Martin. I tried so hard to convince them it was a bad idea. It’s lazy, I said. It’s not clever. It’s just a stereotype with no actual joke, and an offensive one at that. But no. They simply could not wrap their heads around the idea that Fellashow the Turtle (God, the boss told me his name with all the pride of a father announcing that his son made Eagle Scout) was not a stroke of comedic genius.
I made no further attempts to contribute to the game. It wasn’t the main reason I quit a couple months later, but it was a factor.
Dressing Down