First Knight
Crimes:
- Presenting the fall of Camelot with only slightly more visual flair than an average episode of Dr. Quinn: Medicine Woman
- Featuring Richard Gere at his least period-appropriate
- Spending 134 minutes on one of the most famous love triangles in history without generating any suspense, tension, or romance
Defenders: Director Jerry Zucker and producer Hunt Lowry
Tone of commentary: Aggressively self-deprecating. Jerry Zucker sets the mood right out of the gate: “But if I were you, I’d go and catch something on HBO ’til this blows over.” Soon after, he adds, “We have to apologize to people who take this movie seriously, but we have a sense of humor about it.” Hunt Lowry is upbeat and positive, but Zucker does the lion’s share of the talking, finding as many ways as possible to criticize himself as a director without ever saying a bad word about anyone else. “It probably wasn’t the best idea for me to be directing a movie about the Arthur legend,” he explains, with simultaneously refreshing and frustrating candor, “being that I never really cared much for it, or medieval films.”
Zucker, best known as one of the directors behind the original Airplane!, quips throughout, responding to the opening exposition crawl with, “Doing the beginning this way kind of eliminated the people who couldn’t read…,” and explaining while Richard Gere (as Lancelot) tries to sell a bad guy on raping Julia Ormond (as Guinevere), “But he’s saying just what I was always thinking.” Later, before a big romantic moment between Ormond and Gere, Lowry tries to focus the discussion, with “We’re coming to the most talked-about scene in the movie right now. Amongst women.” Zucker responds, “Oh really? I didn’t know that. I could never get a woman to talk to me about this scene. I tried, I went to bars and stuff.” Lowry tries again, praising the stars’ chemistry: “If you want to kiss once, kiss well.” Zucker agrees: “I have to say, I love kissing Richard.”