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Pop culture obsessives writing for the pop culture obsessed.

Thanks to Ian MacKaye, SLC Punk! got Minor Threat on its soundtrack for free

Illustration for article titled Thanks to Ian MacKaye, SLC Punk! got Minor Threat on its soundtrack for free
Photo: Ebet Roberts (Getty Images)

1999's SLC Punk! is an artifact from an era when low-budget indie movies were passed with all the hushed reverence of contraband. This is only fitting for a movie about characters from Salt Lake City’s punk scene, living their lives in defiance of their hometown’s restrictive culture. SLC Punk! went on to achieve cult classic status over the years, resonating with so many viewers, in part, because of its fantastic soundtrack—a collection that includes tracks from Fear and the Dead Kennedys, The Stooges and The Specials, Blondie and the Ramones, and, notably, Minor Threat’s “Look Back And Laugh.”


In an oral history detailing SLC Punk!’s production, Billboard’s Tatiana Tenreyro spoke to writer/director James Merendino, music supervisor Melanie Miller, and members of the cast about how this soundtrack came together. As the interview notes, the movie didn’t have an original score and “instead features over 30 songs” from a wide array of artists. For a low-budget movie, getting rights to the music was complicated.

For example, Minor Threat and Fugazi’s Ian MacKaye was notoriously stingy about allowing his music in films. “[A]pparently he never allowed any of his songs to be in any movies because he didn’t like the way people portrayed punks,” Merendino said.

He continued, “I had to show him the movie, I had to talk to him for days, and he read the script, and he felt that the movie was appropriately referencing the [punk] scene. So he gave us songs for free.”

The rest of the piece is filled with good stuff about SLC Punk!’s creation, from Merendino’s reveal of the real people who inspired his characters to Matthew Lillard’s antagonistic audition process to the truly wild plot description of a proposed SLC Punk! 3. What’s most important, though, is the knowledge that young indie filmmakers now know that they could conceivably get the rights to “Screaming At A Wall” if they manage the daunting task of writing a script that Ian MacKaye likes. Go forth, artists. Try your damnedest.

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Contributor, The A.V. Club. Reid's a writer and editor who has appeared at GQ, Playboy, and Paste. He also co-created and writes for videogame sites Bullet Points Monthly and Digital Love Child.