Conversations With Other Women puts a stylistic gimmick to good use

Every day, Watch This offers staff recommendations inspired by a new movie coming out that week. This week: The release of Sundance winner Fruitvale Station, set over a 24-hour period, has us remembering other day-in-the-life dramas.
Conversations With Other Women (2006)
In cinema, a fine line often separates what folks will pejoratively describe as a “gimmick” and what could be seen, in a different light, as an adventurous technique. (Think of Hitchcock’s Rope, with its illusion of a single, unbroken shot, or Memento, which predominately unfolds backward.) A fairly recent example would be Conversations With Other Women, a little-seen indie talkfest whose lone claim to fame is its stylistic hook. Set over a few hours, during and after a small New York wedding, the film is primarily a twofer, in which Aaron Eckhart and Helena Bonham Carter chat away a long evening. Although they initially appear to be strangers, their shared history quickly becomes evident—though audiences will realize even more quickly that the entire film has been shot in split screen, with the two actors occupying the opposing sides.