Shooter
Based on the novel Point Of Impact by Washington Post film critic Stephen Hunter, Shooter is a Charles Bronson movie that thinks it's The Parallax View. What begins as standard-issue airplane fare—equal parts In The Line Of Fire and The Fugitive, but with a gun fetishist's love for hardware—gradually morphs into a full-scale vigilante picture, sparked by the sort of deep government paranoia that would play well to separatist militia groups. The film thinks it's knowing about political power, but there's no substance behind its little conspiracy theories about villages razed for oil pipelines or evil senators who puff stogies while orchestrating mass murder. The difference between Shooter and the '70s paranoid thrillers it emulates is the difference between disillusionment and cheap cynicism. Movies like The Parallax View and All The President's Men were made out of concern that the government had gotten away from the people; Shooter just uses dirty politics as an excuse for gruesome headshots.