Joyce Manor’s quest to eliminate hangovers proves fruitful
 
                            The opening of Joyce Manor’s third full-length—and first for punk rock’s version of a major label, Epitaph Records—Never Hungover Again may as well be a direct challenge to its fans in the DIY scene. Though the band’s never explicitly labeled itself as such, its self-titled debut in 2011 galvanized that community, with nearly every fan of punk (in all its various permutations) standing at attention for the Torrance, Calif. four-piece. On its second album Of All Things I Will Soon Grow Tired, the band seemed happy to throw a wrench into that formula, expanding out from its hardcore-informed pop-punk for something that recalled the classic jangle of The Smiths. Joyce Manor has gotten even less classically punk on Never Hungover Again, and the trio of tracks that open the album (“Christmas Card,” “Falling In Love Again,” and “End Of The Summer”) see vocalist Barry Johnson at his most unabashedly Morrissey, with the band working through its most meticulously calculated songs to date.
 
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
        