“I said no to the last one and then ended up doing it, and was pilloried by all my friends,” Mendes tells BBC Radio about his future with the franchise. “But I do think this is probably it.” Together, Skyfall and Spectre took a total of five years to make, so signing away your soul to a Bond project is a big commitment. “It feels almost, even though we’ve just finished shooting it, like one big experience and it was a fantastic life-changing thing,” Mendes says. “It really is more a lifestyle choice than a job,” he adds. “I don’t think I could go down that road again.” But again, he said “probably it,” not “definitely it.”
But even though he’s sick of the whole thing, Mendes promises Spectre—which filmed in London, Mexico, Italy, and Morocco—is going to be even bigger than Skyfall. “And you really do feel it,” he says. “This is a bigger movie than Skyfall. It’s been an enormous undertaking.” For Spectre, Mendes brought in Dutch director of photography Hoyte Van Hoytema (who did the cinematography for Her and Interstellar) to try to top the superb visuals of Skyfall. And Spectre has already made itself distinct from previous Bond films, first by putting Daniel Craig in a cozy tactleneck instead of a sharp but implausible suit, and then by actually acknowledging the film that came before it in the movie’s first official teaser. Since when does a Bond movie hold on to history?
Spectre, which also stars Stephanie Sigman, Christoph Waltz, Léa Seydoux, and Monica Bellucci, will be released in IMAX globally on November 6. But because he’s one of their own, the U.K. will get their Bond fix early, with the movie opening across the U.K. on October 26, the same night as the London premiere. Mendes will presumably walk out of that London premiere with a sigh of relief, free at last of James Bond and his stupid turtlenecks. “I’m out,” he’ll say to all his doubting friends. “No really, guys! I swear!” We’ll believe it when we see it.
