Seema Patel is the only And Just Like That... character who's true to Sex And The City's ethos
Now if only And Just Like That... would give the dazzling Sarita Choudhury the arc she deserves
Sarita Choudhury is consistently the most delightful part of And Just Like That…, even if the show doesn’t recognize it yet. She stands out in a reboot struggling to stay true to the original series. AJLT… season one was a mess because the three returning protagonists were a faint imitation of their Sex And The City selves. The original HBO series successfully depicted the superficial yet complex lives of the characters, but the two subsequent SATC movies should’ve been a warning sign. When AJLT… arrived in 2021, Carrie Bradshaw (Sarah Jessica Parker), Miranda Hobbes (Cynthia Nixon), and Charlotte York-Goldenblatt (Kristin Davis) were basically unrecognizable, and the group felt even emptier without the outspoken and charming Samantha Jones (Kim Cattrall).
Thankfully, AJLT… made one smart move: adding the wealthy and flamboyant Seema Patel into the mix. No one can replace Samantha, of course, but Choudhury helped fill a gaping void with her presence and humor. The flair and heart of her performance remain in season two, currently airing on Max. Seema’s storylines so far involve penis pumps, missing Birkin bags, and attending the Met Ball instead of spending another minute with a man who asks her for a $100k investment—she deserves better and she knows it. Her subplots are usually reminiscent not just of Samantha’s no-fucks-given attitude, but of the original series itself. Somehow, Seema is the only character still carrying the ethos of SATC.
Seema embodies a certain degree of luxury that pairs well with Carrie’s new status as a wealthy widow. It’s why they instantly connect. As seen briefly in season one, despite her sex-positive persona, Seema is looking for true love, the kind Charlotte aspired to during SATC’s run. And like the Miranda we knew and loved from Sex And The City (long may she reign, unlike Miranda’s AJLT… version), Seema is passionate about her career. She’s a natural in New York City’s real estate market, much like Samantha was as a publicist. Seema believably fits into their universe while carving out her own space. Yes, she has elements of the main leads, but she’s her own unique person. As a single South Asian woman in her fifties, leading an independent life and breaking barriers, Seema is a badass. (As is Choudhury, a terrific performer dating back to her debut in Mississippi Masala).