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Jai Courtney puts sharks to shame in the bloody blast Dangerous Animals

Killer turns by Hassie Harrison and Courtney make the gritty and violent tale a thrilling trip to sea.

Jai Courtney puts sharks to shame in the bloody blast Dangerous Animals
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Sean Byrne is not a prolific filmmaker. It’s been a full decade since the Australian director’s last feature, the heavy-metal possession tale The Devil’s Candy. His debut The Loved Ones was six years before that. On the one hand, this is unfortunate, because Byrne’s movies are consistently stronger and better developed than many of their contemporaries. On the other, it may be those exact gaps between films that allow them to reach their potential. 

Byrne’s movies are uncompromising, with a finger-in-the-wound viciousness that may also influence how long it takes to get them made. This comes through in Dangerous Animals, whose script was written by someone else—Nick Lepard, in his first produced screenplay—but which nevertheless features several of Byrne’s pet obsessions. These include diabolically creative torture scenes and a gritty obsession with serial killers. But most important is the upending of genre tropes, which both is and isn’t happening here.

Specifically, Dangerous Animals puts a spin on the shark-horror subgenre by making the sharks the least of anyone’s problems. That’s the fresh part. Where that concept goes next is more predictable: Ask yourself what the “most dangerous animal” might be, in a proverbial sense. That being said, Byrne’s interpretation of the “human as alpha predator” trope is both thoughtful and disturbingly violent—a satisfying combination of words too rarely used to describe the same film.

It helps that stars Jai Courtney and Hassie Harrison commit to their performances as physical opposites who share a Darwinian attitude towards life. Zephyr (Harrison) is a loner, a wanderer who lives out of her van and doesn’t stick around for breakfast after a one-night stand with local real-estate agent Moses (Josh Heuston) at the beginning of the movie. (Initially a way to illustrate Zephyr’s issues with intimacy, Moses eventually evolves into one of the film’s more surprising characters.) There are a few throwaway lines to explain how this Texas girl ended up surfing in Australia, but as with Sharni Vinson’s character in You’re Next, it’s how she behaves in an emergency that reveals the real Zephyr. She’s small, but she’s scrappy, and she’s extremely persistent. 

Courtney, meanwhile, is large and intimidating—an “absolute unit,” as the British say—in his role as Tucker, a sexual sadist who gets off on seeing the fear on women’s faces as he lowers them into shark-infested waters surrounded by bloody chum. He likes watching them get eaten, too, and films their deaths on a vintage VHS camcorder so he can relive the murders later on. Tucker uses his tourism business as a front for recruiting victims, luring a young couple out onto his boat in the film’s cold open with the promise that he’ll take them shark diving. And he does, in his way. 

Tucker is a sort of evil analogue to Robert Shaw’s grizzled shark hunter Quint in Steven Spielberg’s Jaws, and he goes on similarly long-winded monologues whenever he manages to literally strap a young woman down and force her to listen to him pontificate about the awesome power of the ocean and his place in it as a messianic shark-assisted serial killer. There may be one too many of these in Dangerous Animals, and the film does spin its wheels in the second act as Tucker captures and re-captures Zephyr aboard the salt-encrusted torture chamber in the hull of his boat. But the ride is thrilling, thanks in large part to the confrontational chemistry between the two leads.

Harrison is a hell of a fighter, MacGyvering weapons from common objects and delivering knockout blows to Courtney’s skull in vigorously choreographed fight scenes. But this is Courtney’s movie, and his desperation makes him all the more frightening as he realizes that this particular fishy may, in fact, wiggle out of his massive grasp. His impotent aggression contrasts with Tucker’s idea of himself as a cool guy, a tension that’s used to funny and disturbing ends in a scene where he stages a drunken solo dance party to Stevie Wright’s “Evie (Let Your Hair Hang Down).”

The soundtrack, full of what’s best described as “drunk uncle fishing music,” suits Tucker, and the movie. It’s one perfectly judged detail among many, and they all combine to create a world with enough depth and texture to fill in some of the broader thematic and narrative beats. In fact, the one area where Dangerous Animals comes up short is, surprisingly, the shark action: It’s there, and it’s well done, but it’s not as frequent or bloody as fans of the subgenre might expect. After all, this isn’t really a shark movie. It’s a Sean Byrne one. 

Director: Sean Byrne
Writer: Nick Lepard
Starring: Hassie Harrison, Josh Heuston, Rob Carlton, Ella Newton, Liam Greinke, Jai Courtney
Release Date: June 6, 2025

 
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