Similarly, the Sam vs. Reign portions
of the episode have a ton of potential that’s only partially realized. As much
as the show has established Sam and Reign as separate people, I really like the
idea of Reign being the manifestation of Sam’s darkest thoughts,
particularly when it comes to parenting. Of course Sam loves Ruby, but Reign is
there to remind her of the frustrations, sleepless nights, and constant stress
of being a parent. Wouldn’t it be easier if that all just went away? Maybe it
would have been better if Ruby had never been born at all? It’s smart
for the show to root Sam and Reign’s Jekyll and Hyde dynamic in something emotionally relatable. I just wish the episode had spent more time on that
and less of the logistics of Lena’s electrocution process.
Speaking of Lena, this episode is also clever
about the way it depicts her Luthor family traits in action without just stringing us
along about whether she’s secretly a supervillain. Like Lex and Lillian, Lena
is a fierce individualist who distrusts authority. She assumes she’s the
only one smart enough to cure Sam and that she’s the only one empathetic enough
to realize Sam and Reign aren’t exactly one and the same. Lena isn’t evil, but like
the other members of her family, her fatal flaw is hubris. Her refusal to share
what she knows about Sam with anyone else (including Supergirl) winds up
putting the whole Earth in danger when Purity and Pestilence track down Reign and break her out of Lena’s holding cell.
In terms of its actual “threat of the
week,” the majority of the episode focuses on Pestilence’s plague—the
terrifying illness that first strikes City Hall and then the DEO team (plus
that unlucky flock of pigeons from last week). Again, this one gets filed under
“cool idea, okay execution.” Though the Contagion-like
premise should be absolutely terrifying, it never fully lands—partially because
the Legionnaires immediately start making a cure and partially because the only
infected people we spend any real time with are Winn and Alex, two characters
the show clearly isn’t going to kill off in a mid-season episode.
In terms of Pestilence herself, Supergirl does a good job giving us a red-headed red herring
while making Dr. Grace Parker (Angela Zhou) just memorable enough in her first appearance to ensure the big reveal lands (I thought she was being set up as Winn love interest). Unlike
Reign/Sam and Purity/Julia, Grace seems to be just as evil in her human persona
as in her Worldkiller one (at least I think that’s what we’re meant to take
away from her emotional confrontation with Kara). Grace’s experience as a surgeon
gave her both a god complex and a very particular relationship to mortality—she’s seen first hand that bad things can happen to good people. And her Worldkiller powers allow the darker parts of her personality to manifest
in terrifying ways.
Like Reign, Pestilence is less of a supervillain than a
really, really warped superhero trying to crusade for vigilante justice. And
that makes the newly united Worldkillers a fascinating threat for Kara to face. “Of Two Minds” doesn’t fully deliver, especially when it comes to action (there’s very little of it until the episode’s pretty standard final fight), but it does set up a whole bunch of intriguing ideas for the season to explore as it starts moving towards its endgame.
Stray observations
- Pestilence deciding to go after greedy insurance companies
was almost enough to make me #TeamWorldkillers.
- Upon hearing that Sam can speak to Reign in the dreamlike
“dark valley,” Lena makes the leap to “Reign exists in a parallel dimension!”
awfully quickly.
- As I mentioned in a recent tweet about Avengers: Infinity War, I don’t like this trend of colorful alien
characters randomly appearing in human form. If Star Trek: The Next Generation’s Brent Spiner and Michael Dorn
could sit through hours of makeup for every episode, so can Jesse Rath, goddamnit.
- This episode got an inadvertent laugh from me when James referenced the fact that he’s the CEO of CatCo, a location the show has all but dropped.
- It’s well delivered by Jeremy Jordan, but I’m not sure
exactly what we’re supposed to get from Winn’s tearful sickbed monologue about
revaluating his life. Was that just emotional texture for the episode or was it
setting up a new arc for Winn? (Or were we supposed to actually think the show
was going to kill off Winn?)
- I love that the Worldkillers’ powers include
manifesting goth leather costumes out of thin air.
