R.I.P. legendary comics artist George Pérez
Known for New Teen Titans, Crisis On Infinite Earths, Wonder Woman, and more, Pérez was one of the most influential artists in comics history

George Pérez has died. A legendary comics artist and writer whose work defined the looks of many of both DC and Marvel’s biggest comics from the mid-’70s onward, Pérez was celebrated for runs on Avengers, New Teen Titans, Superman, Wonder Woman, and more. Among other things, he was heralded as one of the great superhero crowd scene artists in the medium’s history; few people have ever cleanly packed as many colorful and distinctive costumed characters into a single full-page splash panel as George Pérez. Per Variety, Pérez died this week from pancreatic cancer. He was 67.
Pérez got his start at Marvel, serving as an artist’s assistant before getting a regular penciling gig drawing a back-up for Deadly Hands Of Kung Fu. In 1975, he moved into the big leagues when he took over art duties on Avengers. He’d spend the next five years on the book, drawing essentially every Avengers member in the team’s history; at the same time, his work began to spread across the Marvel line, appearing in The Inhumans, Fantastic Four, and other books, and building a reputation as one of the company’s go-to artists.
In 1980, though, Pérez began splitting his attention with Marvel’s biggest rivals, taking on pencil duties on DC’s Justice League Of America, and, most notably, The New Teen Titans, which he worked on with former Marvel collaborator Marv Wolfman. The Wolfman-Pérez Teen Titans run was a massively influential (and successful) one, introducing the Robin/Starfire/Cyborg/Beast Boy/Raven grouping that’s been central to so many depictions of the team. It also made stars of both Pérez and Wolfman, to the point that, when DC was looking for a team to helm one of the biggest events in its then-50 year history, they were the natural choices to tackle it.
Crisis On Infinite Earths, published from 1985 to 1986, is, among other things, a testament to Pérez’s unquestionable ability to draw an absolutely absurd number of different superheroes in conflict; across its 12-issue run, telling a story of reality collapsing under attack from the vile Anti-Monitor, Pérez ended up drawing pretty much every caped character in the company’s history. His famed cover to the series’ seventh issue, in which Superman weeps while holding the body of his cousin Supergirl, is rightly celebrated as one of the most iconic images of 20th century comics; the open emotion, the religious posing, and the sight of dozens of other heroes looking on in shocked silhouette solidify its place as pure, unadulterated Pérez.