Alfonso Cuarón puts a steamy spin on Great Expectations
Every day, Watch This offers staff recommendations inspired by a new movie coming out that week. This week: Baz Luhrmann’s flashy adaptation The Great Gatsby has us remembering other hyper-stylized takes on high-school reading-list staples.
Great Expectations (1998)
To identify the strain of pseudo-literary confirmation bias in reviews of Baz Luhrmann’s The Great Gatsby, try a simple experiment. Compare the Gatsby pans to contemporary notices for Alfonso Cuarón’s boldly sensual Great Expectations and, glossing over the specifics, note the overlap: the tone of haughty disdain, the sniffing references to style over substance, the paragraphs devoted to Charles Dickens’ original that barely mention the film.