Josh Tillman may get more exposure as the drummer in Fleet Foxes, where he's known for cracking wise on stage with singer Robin Pecknold, but the singer-songwriter has more going for him than simply knowing his way around a kit and a joke. As a solo perfomer going under the shortened moniker J. Tillman, he creates plaintive, spare, haunting country-folk, and he's been busy lately, releasing his fifth and sixth solo records in 2009: Vacilando Territory Blues in January, and Year In The Kingdom in September. Now Tillman is on the road performing his ramshackle, Steinbeck-literary, Dylan-mystic tunes, coming to 9:30 Club Wednesday, Nov. 18. Catching him while driving his bandmates around on a quest for Persian rugs, The A.V. Club spoke with Tillman about elusive truths, messing with his audience's heads, and trading riddles with Pecknold.
The A.V. Club: You put out two records this year. Were they two separate writing processes?
Josh Tillman: Definitely separate. The Vacilando record was a way for me to purge a year and a half of a bunch of different writing cycles and so when that record was done there was pretty much nothing left that I wanted to do after that. All of the Year songs are pretty brand new. It was kind of a distillation of a few different things; it was sort of an earth, earthly love, judgment, death, and illumination cycle. In my mind was kind of how I wanted it to play out.
AVC: You grew up on Christian music; would you count that as an influence?
JT: No, that was music that I grew up listening to that I can’t say has had much of an impact on anything I have done in my adult life. Maybe Christianity has, but certainly not the bullshit Christian music I was listening to when I was 12. To me there's not much substance in that music. I don't have a message or anything, so I don't feel any obligation to make my intentions for a song accessible to a listener or an audience. I'm not interested in conveying anything to them so much as what's best for me.
AVC: Does songwriting help you come closer to some truths?
JT: I don't think so. By the time I get around to writing a song I think I’ve boiled everything down. You know, there's an economy in lyric-writing that doesn't afford you, or at least me—I usually start off with nine or 10 verses and then boil it down to two or three that are half the length of the original verses. I think for me it's about what you leave out [rather] than what you put in. I’m not sure that the songs help me figure anything out so much as they're a distillation of the original question.
AVC: Are you comfortable as a solo performer?