Chungking Express

Shot during a break in
post-production on Wong Kar-wai's troubled, long-in-the-making kung-fu
abstraction Ashes Of Time, 1994's Chungking Express feeds off the city's
energy, bringing an improvisational brio to its twin tales of policemen falling
in and out of love. For Takeshi, heartache brings a chance encounter with a
mysterious woman in a blonde wig (Brigitte Lin, in her last role before
retirement). For Tony Leung, a painful breakup attracts the attention of a
fetching Express employee (pop singer Faye Wong) who begins sneaking into his
apartment to clean and make improvements without him noticing.

Neither plot develops much
beyond those basic elements. Instead of incident, Wong, his cast, and simpatico
cinematographer Christopher Doyle rely on meaningful repetition to tell the
story. The first section has a tragic gravity that Takeshi remains too
lovestruck to see. The second bursts with the possibility of a flirtation that
could just as easily burn out as catch fire. In both, love drives characters
mad while also providing the only anchor in the chaotic environment of Hong
Kong—which, three years before its takeover by mainland China, was
dealing with an expiration date of its own. Chungking Express helped establish Wong's
international reputation with its youthful energy and vibrant depiction of a city
where the 21st century arrived early, but it's his characters' quest for
permanence and love amid chaos that makes the film's neon heart glow.

Key features: A typically thorough commentary by Tony
Rayns. Just as importantly, Criterion's first foray into Blu-Ray suggests that the
company's reputation as the Cadillac of home entertainment will continue into
the high-def era.