Joaquin Phoenix brought out the mysterious, ambiguous side of Paul Thomas Anderson
We discuss The Master and Inherent Vice on the final installment of our month-long series

Paul Thomas Anderson and Joaquin Phoenix Photo: TIZIANA FABI / AFP
Last week, Film Club dived into the two Paul Thomas Anderson movies starring Daniel Day-Lewis. This week, in the final installment of our four-week series on the movies of this essential filmmaker, critics A.A. Dowd and Katie Rife tackle the other major director-star collaboration of Anderson’s career: the one-two punch of The Master and Inherent Vice. Then we close this month-long retrospective with our respective choices for the best of PT Anderson. Surprising spoiler alert: It might be the same film.
You can hear the entire conversation in the episode above, or read a lightly edited excerpt down below.
Katie Rife: Something that’s come up a lot over the course of these conversations [is how] Paul Thomas Anderson can tap into an actor’s essence and use it for a role. And watching these two films, I feel like Joaquin Phoenix’s energy is the opposite of Daniel Day-Lewis’ in many ways. It’s naturalistic, it’s loose. It’s the opposite of the controlled obsessive method that Daniel Day-Lewis uses.
A.A. Dowd: Interesting. I actually don’t know what Phoenix’s method is. Is he not a method actor?