The Mindy Project: “Danny And Mindy”

“I love romantic comedies. I feel almost sheepish writing that, because the genre has been so degraded in the past twenty years or so that admitting that you like these movies is a form of mild stupidity… I enjoy watching people fall in love on-screen so much that I can suspend my disbelief for the contrived situations that only happen in the heightened world of romantic comedies.”
—Mindy Kaling, Is Everyone Hanging Out Without Me?
At the end of its second season, The Mindy Project has become one of those shows that inspires strong reactions on either side, and very few in the middle. If you scout out Mindy Project reviews (wait, I’ve done it for you!), you’ll find both total pans (“The Mindy Project fails at everything it attempts”) and complete raves (“Why only an idiot would miss out on TV’s funniest comedy”). I fall closer to the latter on the scale, but I understand the former. I don’t really care if Mindy’s likable or not, as long as she’s entertaining, but some of her actions are insane (tracing her one-night stand to his workplace, a first-grade classroom) or ignorant (a medical doctor who doesn’t know what “condo” stands for?) enough to take the viewer out of the actual show to ponder, “Why am I watching this person?” When the show does stumble (“L.A.,” or the recent ill-scheduling of “Girl Crush”), it takes at least a week or so to right itself.
But when it realigns, The Mindy Project becomes one of the most enjoyable comedies on TV. Todd VanDerWerff points out that although the show seems to be in a constant state of transition, at least its trajectory is skewing upward, with a big leap forward between this season and last. I would probably watch it for the one-liners and absurdist asides (like the stalker raccoon) alone, but I also appreciate Mindy Kaling’s overall mission: To draft her own brand of romantic comedy. From the show’s first episodes, it established that Dr. Mindy Lahiri only wants to be Meg Ryan in a movie with Tom Hanks, as idealistic and unrealistic as that sounds. Her real-life counterpart has studied these rom-com tropes as well, so nods to the Nora Ephron canon (like “You’ve Got Sext”) abound in her scripts. She’s writing within the mold while redefining it: The saga of Mindy and Danny has contained some of the show’s finest work, as a hot in-air kiss led to a short yet delightful relationship, a too-quick and devastating breakup, and a hesitant walk toward each other again.