Blood grudges, B-legends, and bizarre urges: 5 films to watch from the Fantasia Film Festival


As anyone who’s spent longer scrolling through a streaming service’s library than actually watching something on said service knows, there’s just too much goddamn content these days. And while the sheer number of genre movies currently being produced around the world is a sign of a healthy ecosystem, it’s also an intimidating task to try to keep up. That’s particularly true for Montreal’s Fantasia Film Festival, which The A.V. Club attended for a weekend earlier this month; this year’s festival included more than 130 feature films, and although we’ve been back in Chicago for a couple of weeks now, we’ve also been busy remotely catching up with films from North America’s biggest genre-film showcase. Here are five worth keeping an eye on.
Blood & Flesh: The Reel Life & Ghastly Death Of Al Adamson
Cult-movie distributor Severin Films’ new documentary Blood & Flesh: The Reel Life & Ghastly Death Of Al Adamson is a particularly delightful watch in the wake of Once Upon A Time…In Hollywood, living as it does in the wild world of cheap-o biker movies and self-taught stuntmen on the fringes of the film industry in the late 1960s. (Spahn Movie Ranch, and its most infamous tenants, also make an appearance.) The first half of the documentary is fun and lively, chronicling B-movie director Al Adamson’s career trajectory from Westerns through biker flicks and horror mash-ups to bizarre kids’ movies and X-rated musicals, as well as Adamson’s many personal eccentricities and ingenious scams. (He was notorious for re-releasing the same movie three or more times under different tiles, for example.) Then the doc takes a grisly turn towards true crime—the details of which can be found online, but we won’t spoil here. It all ends rather abruptly, but that’s just because we could live in this movie’s world forever.
Availability: Severin has yet to announce a theatrical or home-video date for Blood & Flesh, but has been posting regular updates about the film on Twitter and Facebook.
Blood On Her Name
The latest film from up-and-coming sales agent Yellow Veil Films—whose inaugural title, Luz, is in select theaters now—should be on the top of the list for fans of moody, gritty rural neo-noirs like Blue Ruin and Cold In July. Like those films, Blood On Her Name grapples with weighty themes of revenge, the American prison system, and cycles of poverty and addiction. Unlike those films, it’s female-led, and star Bethany Anne Lind commands the screen in a layered performance as mechanic and single mom Leigh Tiller. In the film’s opening scene, Leigh is standing in her auto garage with a bloody tool in her hand, a dead body on the floor, and a growing feeling of panic. What she does next is unexpected, morally complex, and alive with tension.