Chicago Justice’s pedigree sets it up to fail

The only surprising thing about Chicago Justice, the fourth entry in Dick Wolf’s “Chicago” franchise, is that it took the mega-producer so long to return to the bench. Wolf is probably best known for spawning the Law & Order empire, which once boasted three concurrent programs on NBC. The flagship series has been out of commission for over six years, and he might have turned his attention to the Second City’s emergency personnel, but the district attorney’s office—now state’s attorney—was never far from Wolf’s mind. Chicago P.D. in particular has allowed the producer to scratch that itch, but there have been rumblings of an L&O “original recipe” reboot for some time now.
So that raises the question of whether Wolf is testing those waters with Chicago Justice, a legal drama whose backdoor pilot will air as part of a huge crossover episode on March 1. If that were the case, though, he probably would have just called it the far more obvious (not to mention less ambiguous) Chicago Law. And it’s not like his plans for a revival, which he recently teased, have been stymied by the network. But there’s no mistaking the connection between his new series and his career-making franchise, which share some of the same DNA. We’ve got our two equally important groups: the attorneys who prosecute the crimes and the investigators who help them build their cases. These factions aren’t exactly separate, though: Assistant State’s Attorneys Peter Stone (Philip Winchester) and Anna Valdez (Monica Barbaro) work more closely with their investigators, Antonio Dawson (Jon Seda) and Laura Nagel (Joelle Carter), than Jack McCoy or Ben Stone ever did with Briscoe or Van Buren.