Guitarist Robert Fripp has been the primary creative force in King Crimson since the group formed in 1968, adapting his eccentric, experimental fretwork both to the band’s grandiose jazz- and classical-influenced progressive rock and to its arty New Wave era. Both of those incarnations featured strong voices, with Greg Lake (pre-Emerson, Lake & Palmer) adding a booming bellow to early King Crimson standouts like “21st Century Schizoid Man” and “The Court Of The Crimson King,” and Adrian Belew (fresh from stints playing guitar for Frank Zappa, David Bowie, and Talking Heads) bringing a nervous yelp to early ’80s favorites like “Frame By Frame” and “Neal And Jack And Me.” In between Fripp’s collaborations with his two most famous frontmen, he worked with a succession of singers for an album or two. The best of those was John Wetton, whose smoother sound—later to become massively popular when he formed the supergroup Asia—anchored the more avant-garde King Crimson masterpieces Larks’ Tongues In Aspic, Starless And Bible Black, and Red. Lately, Fripp has followed the lead of other veteran rock stars and has hired an accomplished fan, former 21st Century Schizoid Band leader Jakko Jakszyk, to tour with King Crimson and help recreate what other vocalists have done. Jakszyk has yet to make his mark with the group the way Lake, Wetton, and Belew have. [Noel Murray]