St. Denis Medical gets sharper—and funnier—in season 2
NBC's throwback mockumentary returns with confidence.
Photo: Justin Lubin/NBC
The truth is that a lot of people don’t watch network television these days, which means a show like St. Denis Medical could, sadly, easily get buried. This is a strong throwback to when sitcoms on NBC made cultural waves, a program that makes clear how talented co-creator Justin Spitzer is when it comes to art of the workplace comedy. And in its second season, the series returns as tighter and more confident.
The mind behind the great Superstore and the underrated American Auto came back in late 2024 with another mockumentary sitcom, this one set in an Oregon hospital with dwindling resources and overworked employees. Not quite as socially conscious as Superstore was at its best (at least not yet), there’s nonetheless an undercurrent of commentary in St. Denis Medical about the broken health-care system. While the current state of things could have allowed the writers of SDM to lean into social statements a bit more than they do in the eight episodes sent to critics for review, they’re still full of increasingly sharp writing and effectively funny performances. St. Denis Medical doesn’t break the mold of the network workplace sitcom as much as remind you why it was a TV staple.
Of course, casting is half the battle when it comes to network comedies, and the producers of St. Denis Medical attracted a strong blend of veterans and new faces during that phase of production. For the former, Emmy nominee Wendi McLendon-Covey (The Goldbergs) brings her neurotic energy to Joyce, the executive director of St. Denis. At the start of the second season, Joyce is obsessed with the construction of birthing suites for expecting mothers instead of what her staff really needs on a day-to-day basis. She’s a relatable embodiment of of bosses who talk big about what could happen tomorrow instead of focusing on the needs of their employees today, and McLendon-Covey threads a needle in which she somehow keeps the character relatable and likable instead of just turning her into a villain. Joyce, in other words, is trying to do her best. She’s just not very good at it.
Allison Tolman’s Alex, the supervising nurse who starts this season learning that the relaxation that comes with a vacation can be destroyed quickly when one returns to work, is always doing her best. She gets the “Jim on The Office” part, the protagonist with whom we’re supposed to identify as she looks witheringly at the camera crew capturing the chaos that she’s barely keeping under control. But Spitzer and his team are smart to not turn Alex into too much of a saint. Especially in the second season, she seems to be learning to speak up for herself and her needs as much as she considers those of others.