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The Luckiest Man In America's game show scandal biopic doesn't press its luck

Intriguing biographical elements are foregone in favor of generic story beats, which leave the film feeling over-fluffed and nonsubstantive.

The Luckiest Man In America's game show scandal biopic doesn't press its luck
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Forty years ago, an unusual game show scandal had CBS writing a record-breaking check for $110,237. The story of Michael Larson and his winnings—which remained unmatched on an American game show until a 2006 The Price Is Right episode—has not received the biopic treatment until now (though Bill Murray was set to star in one such project in the early aughts). The Luckiest Man In America recounts the filming of this historic two-part episode, which has since receded into the somewhat distant annals of pop cultural memory. 

Co-written by Colombian director Samir Oliveros and Maggie Briggs (who previously co-penned the queer Pakistani drama Joyland) and executive produced by Pablo Larraín, The Luckiest Man In America would have benefitted from incorporating the latter filmmakers’ penchant for constructing rich—if at times boldly inaccurate—interiorities for historical figures. Instead, Oliveros and Briggs’ screenplay relies on generic narrative beats as opposed to mining from, and perhaps even exaggerating, Larson’s fascinating life and legacy. To some, he’s a folk hero who represents the deep-seated American fantasy of striking gold; to others, he was a conniving con man who rightfully found himself in legal limbo. The Luckiest Man In America mostly opts for the former characterization, refusing to genuinely grapple with Larson’s imperfections in the process. 

Arriving on the CBS lot in a rusty ice cream truck on a spring morning in 1984, Michael Larson (a serviceable Paul Walter Hauser) is almost immediately caught in a lie while auditioning for the game show Press Your Luck. After assuming a pseudonym for unknown reasons, Larson is quickly sniffed out and ejected by production. But executive Bill Carruthers (David Strathairn) can’t shake the hunch that the eccentric Larson would make a perfect contestant, and invites him back to tape an episode the next day. Chuck (Shamier Anderson), Bill’s underling, immediately casts a suspicious eye on Michael. PA Sylvia (Maisie Williams), on the other hand, has a fondness for the contestant that she keeps on the down-low. 

As the taping begins, Michael locks in, hands interlaced and hovering a millimeter from the buzzer. Press Your Luck boasts a simple logic, which host Peter Tomarken (Walton Goggins, contrasting his current angsty role on The White Lotus) gladly elaborates for studio and theatrical audiences alike. Contestants are each asked generic trivia questions; if they guess correctly, they earn spins on a flashing board that features cash prizes, all-inclusive vacations, and extra spins. It also features Whammies, or little red cartoon characters that wipe out contestant’s total earnings if they’re unlucky enough to land on them. Though off to a rocky start, Michael manages to evade Whammies for over a dozen consecutive spins. 

This is when CBS personnel begin to panic. Though it’s well above his pay grade, Chuck ditches the taping to investigate Michael’s shady background and exploits his personal life in an attempt to rattle him on stage. In the control room, others believe that without any evidence of cheating, the network should lean into their role as a financial godsend for a working-class average Joe. The Luckiest Man In America works, albeit fanglessly, to give kernels of veracity to both of these claims. 

It all comes together pretty predictably from this point: Chuck stumbles upon a trove of VHS tape recordings of Press Your Luck, as well as a paper trail that plainly states Michael’s domestic woes. It appears that in a last-ditch effort to reinsert himself in the lives of his estranged wife and daughter, Michael has embarked on an impressive plot to win big on their favorite program. 

One of the only truly inventive facets of The Luckiest Man In America involves Michael wandering off set, only to find himself on a talk show with an enigmatic host (Johnny Knoxville in a winning cameo). During this scene, he plainly lays out his family-oriented motive, saccharine and uncompelling. Had there been an effort to peel back a few layers of Michael’s psyche—or even gain further insight into his money-making process or subtle collaboration with Maisie—one might find themselves rooting for Michael as the film suggests much of America was inclined to do at the time.

The film may pique interest in the rest of Larson’s life, post-Press Your Luck. There’s the real estate Ponzi scheme he immediately invested in; the $100,000 in prize winnings, withdrawn in one dollar bills, that was inexplicably robbed from his home while he attended a Christmas party; and his final years, spent hiding out from the feds in Florida before succumbing to throat cancer.

Yet there is merit in Oliveros and Briggs containing their film to the single day in which the episode was taped. It’d be easy for the project to become muddled by Larson’s lifelong grifting. What’s puzzling, however, is that the film creates an idealized family dynamic—and inflates Michael’s desire to be enmeshed within it—in lieu of incorporating commentary about his relationship to his three children and their mothers. This may seem like a minor complaint, but it points to the film’s larger problem of simply lionizing Michael Larson as a character instead of putting in the effort to truly study him. Though its subject is compelling, The Luckiest Man In America‘s prosaic approach prevents it from hitting the jackpot.

Director: Samir Oliveros
Writer: Maggie Briggs, Samir Oliveros
Starring: Paul Walter Hauser, Walton Goggins, Shamier Anderson, Brian Geraghty, Patti Harrison, Haley Bennett, Damian Young, Lilli Kay, James Wolk, Shaunette Renée Wilson, David Rysdahl, Ricky Russert, David Strathairn, Johnny Knoxville, Maisie Williams
Release Date: April 4, 2025

 
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